Coming to the Stanford Humanities Center on November 18 at 4:00 p.m., the 2024 Marta Sutton Weeks Lecture, “Caravaggio’s Americas” by the poet and scholar Edgar Garcia of the University of Chicago; the announcement:
This talk relocates the where and when of the baroque to the sixteenth-century Americas, arguing that the anxieties of eroded sovereignty amidst legal heterogeneity that gave rise to the baroque began not in Counter-Reformation responses to Protestantism but earlier in encounters with the legal and cultural others of the indigenous Americas. In this account, the spirit of the Counter Reformation precedes the Reformation and is, in its expression as the baroque, inescapably entangled with Indigenous cultures and polities of the Americas. In turn, this view of the baroque from the Americas helps to recast, interpret, and even re-visualize the works of the iconic late sixteenth-century Roman painter and living catastrophe-on-legs Caravaggio.
Dense with the abstract vocabulary of sociocultural analysis and cultural and literary history — it makes actual claims about the sources of the baroque / Baroque style in the Western arts, but it might take you some work to figure out what they are — the announcement devolves into a vividly earthy thumbnail characterization of Caravaggio as “the iconic late sixteenth-century Roman painter and living catastrophe-on-legs”. A sting in the tail. [Here we laugh and applaud.]
