Author Archive

Oblong man eats Normal salad

April 17, 2025

From Emily Menon Bender on Facebook today, with a bit of the menu at the restaurant Medici in Normal, in Normal IL:


[with EMB’s comment:] I’d keep making these puns too if I lived here

This following on a passing reference in my posting yesterday “Me lookee, no findee” to Kutztown State Normal School (as it was when I was a child), a state-supported teachers college in Kutztown PA, now Kutztown State University (that’s Kutz rhyming with puts, by the way; if you pronounce it to rhyme with putts, then in Pa. Dutch English, you’re talking about Barftown)

And with #1 echoing a famous headline announcing:

Oblong Man Marries Normal Woman

Oblong is a village in Crawford County IL. And Normal (as in #1) is a town in McLean County IL.

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Me lookee, no findee

April 16, 2025

A follow-up to yesterday’s posting “One of these things is not like the others”, in which my (now AI-enhanced) Google search for

“African American linguists”

produced a display of 9 people (plus a further display of 4 others) which was instantly remarkable because the person in the position of pre-eminence in the first display, Walt Wolfram, was not (unlike all the others) African American / Black, but notably German American / white. WW is an amazing, prolific scholar of African American English and its uses and of African American communities, and he is a champion of those communities, certainly deserving of huzzahs and celebratory parades and official recognitions with laurel wreaths and gold-embossed certificates and all that stuff, but he’s unquestionably white — as, in fact, the photo accompanying his name in that display makes clear. (I’ll add that he doesn’t “talk Black” either. His everyday variety of English is working-class white Philadelphia, tenaciously maintained throughout years of formal education; it’s one of his badges of identity.)

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One of these things is not like the others

April 14, 2025

This morning, for complex reasons that shouldn’t concern you here, I did a Google search on “African American linguists”, not reckoning on what might happen with Google’s AI-guided search. This astonishing result, a page with the first 9 of 13 items retrieved:


2 historical figures, 7 living linguists; of those living linguists, 4 are women, 3 are men; of those men, two are African Americans, but the linguist in the position of greatest prominence, at the top left, Walt Wolfram, is not like the other 8 linguists: WW is a strikingly European — specifically German — American

Now, if there were a gold medal for wokeness, WW would surely have retired it for life, but he doesn’t belong in a display of African American linguists.

Thing is, Google hasn’t answered the question that I (implicitly) asked, Who are some linguists who are African American? (which might have pulled up, say, Ken Naylor, who studied the dialectology of what was then called Serbo-Croatian), but instead answered a somewhat similar question it had the answer to, Who are some linguists who have studied African American English? (which should pull up at least Bill Labov, Roger Shuy, and WW, all of whom are white).

Wokeness. From NOAD:

adj. woke: alert to injustice and discrimination in society, especially racism … (1960s: originally in African American usage)

Expanded on in a Wikipedia article:

used since the 1930s or earlier to refer [AZ: especially by African Americans of other African Americans] to awareness of racial prejudice and discrimination, often in the construction stay woke.

… By 2019, the term was being used sarcastically as a pejorative among many on the political right and some centrists to disparage leftist and progressive movements as superficial and insincere performative activism. [AZ: heavy sigh]

Encomia. I was sure that I had posted an encomium to WW and his remarkable career studying the language of, and supporting the communities of, African Americans (and Appalachians and Carolina Tidewater folk too), with all the passion he has devoted to sports (he played basketball, baseball, and football at Olney High School in north Philadelphia many years ago, and seems never to have met a sport he didn’t like). But I can’t find it in my files. Well, you can see the outlines of it from what I just said; he’s been a model of engagement and energy for the rest of us.

It’s probably a garrulous-codger thing, but I’ve been into encomia recently (see my previous posting, on Sonja Lanehart); well, it’s a great pleasure to write encomia for living people, rather than elegiac death notices.

One of these things. Music by Joe Raposo, lyrics by Jon Stone for Sesame Street (1968):

One of these things is not like the others,
One of these things just doesn’t belong,
Can you tell which thing is not like the others
By the time I finish my song?

Of course you can.

 

Sonja Lanehart

April 14, 2025

[4/25 disclaimer. In the constant upheavals of my life and the world around me, I’m now just picking random stuff to post about, from the 60 or 70 items in my ever-expanding queue — whatever catches my fancy at the moment. Don’t try to make sense of it as a whole.]

A little tribute to the linguist Sonja Lanehart, because I admire her work, but also — current relevance in my country — because she’s a vivid embodiment of the principles of diversity, equity, and inclusion in research, teaching, and writing. She’s a distinguished authority, so she’s the editor of the 2021 Oxford Handbook of African American Language and similar authoritative works. She’s also the author of the 2002 Sista, Speak! Black Women Kinfolk Talk about Language and Literacy — a remarkable piece of narrative anthropology from personal experience (a variety of participant-observer sociology / anthropology that I have ventured into myself, but in the gay male world rather than the Black female world).


(#1) SL in a recent photo (from the Univ. of Arizona)

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Death comes for the appliances

April 14, 2025

💥💥 today is (Double) Disaster Day: (political disaster) Abraham Lincoln assassinated in 1865, (maritime disaster) the steamship Titanic striking an iceberg in 1912 (to sink the next day); and so the theme of today’s Bizarro cartoon is death, personified


A Grim Reaper cartoon meme made into a silly pun joke (if you’re puzzled by the odd symbols in the cartoon — Wayno says there are 6 in this strip — see this Page)

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Unbuttoned chat

April 13, 2025

[4/25 disclaimer. In the constant upheavals of my life and the world around me, I’m now just picking random stuff to post about, from the 60 or 70 items in my ever-expanding queue — whatever catches my fancy at the moment. Don’t try to make sense of it as a whole.]

That’s unbuttoned ‘relaxed, less inhibited’. There will be no removal of clothes.

This is a little human-interest piece reproducing postings (three of them) from past years reporting on Aaron Broadwell and me chatting as two gay men about cultural matters (pretty much negligently folding Gay Interest into everyday chat). The genre is a type of Friendly Conversation, in this case between two gay men who share a fair amount of background knowledge, have trust in and regard for each other, and are not pursuing any explicit goal beyond maintaining the bond of friendship, keeping in touch; it’s “just talk” — but it’s still structured in complex ways (which would become obvious if I offered parallel exchanges with other people of other sorts in different social contexts, and more strikingly, if I showed you exchanges that ran aground).

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Today’s magnificent pun

April 13, 2025

[In the constant upheavals of my life and the world around me, I’m now just picking random stuff to post about, from the 60 or 70 items in my ever-expanding queue — whatever catches my fancy at the moment. Don’t try to make sense of it as a whole.]

Jim Horwitz’s Watson cartoon for 4/9 (it came to me on Facebook, which has its own peculiar ways of delivering postings, today, 4/13):


Ingeniously outrageous: Batman and Robin turned into food containers

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An anecdote

April 12, 2025

… which will plug into two topics being developed in my posting queue (which is totally unmanageable in the face of recent events in my life and in the world): rich people, and the death in January of the Princeton philosopher Paul Benacerraf (who was my senior-year adviser in mathematics). I will have a lot more to say about both of these topics in future postings, but today I’ll just give you the zinger.

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Graphing and slavery

April 9, 2025

An upcoming Stanford Humanities Center lecture:

“The Line Graph and the Slave Ship: Rethinking the Origins of Modern Data Visualization” by Lauren Klein of Emory Univ., on Tuesday 4/15, from 4–6 pm in Levinthal Hall and online

Summary: “The Line Graph and the Slave Ship” returns to the eighteenth-century origins of modern data visualization in order to excavate the meaning — and power — of visualizing data. Exploring two examples of early data visualization — the line graphs of British trade data included in William Playfair’s Commercial and Political Atlas (1786) and Description of a Slave Ship (1789) created and circulated by a group of British antislavery activists — this lecture will connect Enlightenment theories about visual and statistical knowledge to contemporaneous ideas about personhood and race.

I’m posting this as an example of the sort of fascinating research supported by the SHC, looking in fresh and unexpected ways at events, practices, and conceptualizations from many times, places, and social settings.

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Paris chooses

April 8, 2025

[Sex work, naked boys, nude statuary (classical in theme, but, yes, full frontal) — generally not suitable for kids or the sexually modest]

Das wäre Ihr Mädchen, Herr Jakob Schmidt
Ach, bedenken sie was man für dreißig Dollar kriegt

— Weill & Brecht, Havanna Lied (from the 1930 opera Aufstieg und Fall der Stadt Mahagonny)

How is a man to choose? He could have that one for $30. But then the other one looks eager to please. And the third one looks really hot naked.

That was Jakob Schmidt in the imaginary city of Mahagonny — part America, part Weimar Germany — but then this morning Pinterest brought me another man, call him Alex, picking one of three for sexual services, under the watchful eye of an arranger, the clever and mischievous H, in a painting by Cornelius McCarthy:

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