Author Archive

The well-placed cactus

November 3, 2021

(Racy stuff about cactuses and the male genitals, so not in good taste, but not actually dangerous.)

Yesterday, from Heidi Harley on Facebook:


(#1) HH: Tucson does good sunrises too

And then in a further exchange:

Emily Menon Bender: Such a well placed cactus!

AMZ: I’m savoring “a well placed cactus”. Being the person that I am, I’m contextualizing it in things like “And in the garden stood a handsome young man with a well-placed cactus”.

Playing on the cactus as phallic symbol, with an echo of well-endowed and an allusion to the use of well-placed objects (even, perhaps, potted cactuses) to conceal naughty bits (breasts, male genitals — the very things that can be referred to as well-endowed) in otherwise nude representations.

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Z: Il dort

November 3, 2021

A Peanuts strip from 6/21/65 (thanks to Jeff Bowles) ends up being a tribute to the letter Z:


(#1) Snoopy the Z: he is sleeping

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Good news from the halls of academe

November 2, 2021

I am putting aside for the moment today’s intended posting, on Tucson sunrises and well-endowed cactuses, to pass on this excellent news, which came to me from my department chair Chris Potts > the department this afternoon:

Please join me in congratulating Professor Vera Gribanova on winning the LSA’s 2022 C.L. Baker Award, which “recognizes excellence in research in the area of syntactic theory on the part of a scholar who is at the mid-point of a distinguished career.”

A wonderful honor for someone who is surely actually only barely even approaching the *mid-point* of their career!

First, some exchanges about the award; and then some about Vera.

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Halloween pompoms

November 1, 2021

🐇🐇🐇 From a visit to Palo Alto’s Gamble Garden on Saturday morning with Kim Darnell and their sister Diana, a plant apparently designed for Halloween: Kleinia cephalophora ‘Orange Flame’:


(#1) A plant for this season (photo by K. Darnell); its many flower heads are orange-red globes, and it blooms late in the season (October), making it an appropriate Halloween plant

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Superhero action

October 31, 2021

(Male genitals and sexual acts discussed in street language, so not for kids or the sexually modest)

In my 9/15/21 posting “Items of gay decor”, the section on The ritual of the action figures displays the Action Three — Leather Carlos, Tom of Finland’s Rebel, and Army Tyson (all of them hyperbolically homomasculine articulated toy figures variously labeled as dolls or action figures) — in the company of their woolly mammoths, under the blazing sun in one corner of my bedroom

And now, having contemplated (in my 10/28/21 posting “His fathers’ powers”) the complex lives of the superheroes (especially Aquaman, his husband Plastic Man, and the superhero son of their mating — superheroes have come a long way since the days of my childhood with Superman), I invited three D.C. Comics superheroes to join the Action Three, to serve as their power guides: Batman for Tyson, Superman for the Rebel, and the Flash for Carlos. It was time for some Superhero action.

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Bearing the face for our era

October 30, 2021

In every era, in every milieu, there arises one man with the Face of Humane Wisdom.

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Seven faces

October 29, 2021

Seven portraits of men (from 1875 through 1910) by John Singer Sargent, evoking character and state of mind, or celebrating male beauty, or both. Spurred by the appearance on Pinterest of this extraordinary charcoal sketch (from 1900-1910) of the young Italian man Olimpio Fusco (with his address on it!):


(#1) Fusco appears in at least one other drawing of Sargent’s — more explicitly sensuous —  in which he’s lying, naked, on his back in bed; these two drawings have led critics, with great caution, to describe Fusco as perhaps a “romantic interest” of Sargent’s

Put that aside for a moment, while I add that Sargent can fairly be described as having been a compulsive artist — always ready to dash off  a sketch or draft of pretty much anything he saw that caught his eye: colorful flowers, children playing, women’s clothing, faces (all kinds of faces, but especially men’s), street scenes, landscapes and seascapes, whatever. He did this sometimes with an eye to developing the sketches into works that could be exhibited or sold, but often just for his own pleasure. Sometimes for his very private pleasure, as in a large body of male nudes (many quite sensuous) created over the years, a selection of which were published finally in 1999, in this volume of John Esten’s:

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His fathers’ powers

October 28, 2021

It ends in a distressing moment at the therapist’s, in a Psychiatrist-meme Rhymes With Orange cartoon from 10/24. Here I show only the troubled patient, the engaging young superhero OP Man; the missing therapist’s response supplies what amounts to the punchline of the joke, which I’ll delay for a while, until I can say a bit more about the lives of the superheroes (among them, the patient’s two fathers):


(#1) Same-sex relationships, up to and including marriage and mating, have come to the world of superheroes; as for same-sex mating, superheroes, not being subject to the limitations of human anatomy (in sexual matters as well as others), have abilities way beyond those of ordinary mortals — so OP Man inherits his powers equally from his two fathers

But what does it mean to say that Aquaman and Plastic Man were drawn to one another romantically and sexually, and then married and mated (in some order), to produce OP Man? Superheroes often exist in other worlds, on timelines quite different from ours, and (like the gods of classical mythology) routinely manifest themselves in a variety of ways — differing in form and character and inclinations and abilities. Jupiter, as lord of the sky, manifests himself not only in something like human form, but also in thunder, lightning, or in rain (I am fond of his manifestation as Jupiter Pluvius, probably because the name is a nice double dactyl, in both Latin and English) or as an eagle (also a favorite of mine, because I’m etymologically a sea eagle, though I’m not otherwise Jovian), and that’s just the beginning.

So: some manifestation of Aquaman and some manifestation of Plastic Man — there are many of each — had their worlds and timelines intersect in such a way that they could join together and raise a superhero son someplace, sometime, an OP Man who has now manifested himself in a fictive cartoon world that in many ways resembles our own and that seems to be roughly contemporaneous with our current time. Whoa.

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DI Halloween

October 27, 2021

In the 10/26 daily cartoon by Ellis Rosen on the New Yorker site, Halloween comes to two guys on a Desert Island:


(#1) In real life, trick-or-treaters sometimes appear at a house unexpectedly, causing the residents to scramble to find some candy, or something, to give them — now, relocate this mundane scene to a cartoon-memic Desert Island

Pretty much anything that a cartoonist transports from real life to the DI situation is going to be deeply absurd: Where, on a tiny bit of beach in the middle of a tropical ocean, would some candy be stashed, especially without the castaways knowing about it? And how did a boat of trick-or-treaters find their way to the island? (Why, in fact, would they go to such trouble for such a slight chance of reward?)

But then every Desert Island is a theatre of the absurd.

So much for the basics. Now to branch off in several directions.

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Four ladies in red

October 26, 2021

From my old friend Matt Adams a few days ago, a wonderful sexy-funny image of his creation, composed while he and his husband Justin were on holiday at a gay b&b in the Canary Islands — a thoroughly satisfying semi-tropical place for people who live in the Netherlands, as Matt and Justin do, to vacate in while their adopted country slips into northern European winter (and all without leaving the EU); and of course a major travel destination for gay men (the beaches, in particular, are fabulous).

The composition, which I’ll analyze in more detail in a later posting, uses an image of Matt being playfully flirty while projecting an intense, earthy cruise (like, you can almost smell his sweat) — designed, if you’re in Matt’s intended audience, to make you laugh out loud and arouse you sexually, all at once. (Hey, it worked for me.)

Meanwhile, as background and counterpoint, Matt used one of four photos on display in that b&b in the Canaries, the Ladies in Red: highly sexualized (and stylized) images of women, which I would characterize as pin-up head shots, dripping with the redness of hot femininity and sexual bodyparts.

Today’s posting is mostly about the Ladies in Red. Matt and I haven’t been able to find out anything about the source of the images; they’re picked up and used in various advertisements (without credit), and Google Images seems to offer only that they’re stock photos of pin-up women. But there are at least four of them, and they’re clearly part of a thematic set. So one function of this posting is to present them to my readers in the hope that somebody out there can find out where they come from and what they were originally designed for.

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