Author Archive

Promissory note: a cascade of fishy puns

October 6, 2023

(I am wretchedly sick again and in great pain, for complicated reasons I won’t explain here. Had nevertheless hoped to show that I could do a posting using only my damaged right hand. This is as much as I’ve been able to get together, but I have to admit temporary defeat on the larger project, so this is another promissory note about pun cartoons.)

Through friends on Facebook yesterday, a Chuck Ingwersen cartoon with a cascade of four flagrantly imperfect puns — with a fish theme:


The pun census: halibut punning on hell of it; cod punning on god; haddock punning on headache; herring punning on hearing

A couple of these puns are phonologically very distant, but they can be understood easily because the context provides rich clues: halibut, in particular, is in the context of the idiom ‘(do something) just for the hell of it‘.

Though the word play is intricate, it’s merely phonological: despite the piscine theme of the puns, the cartoon is firmly located in just one world, that of diners in a restaurant; the characters are not also various species of fish, interacting in a metaphorical world. This isn’t a defect; almost all pun cartoons are merely phonological. But a few are also what I’ve come to call semiotically satisfying, evoking a parallel metaphorical world that complicatedly maps onto the base world. More on this below (I’m always on the lookout for semiotically satisfying cartoons).

 

 

The breast-clutching gesture

October 5, 2023

(There will be a barely clad male model showing off his hot hairy body in Daily Jocks homowear ads; you have been warned. But otherwise this is, remarkably, a posting about art, in particular extraordinary public art)

The backdrop is yesterday’s posting “A remarkable table lamp” — about a “sculpture in bronze by George Sellers — one of his insect sculptures, in particular a magnificent staghorn beetle cast in solid bronze, on a walnut base, which Sellers has made into a lamp base”. Which I used as a proof of concept / principle, showing that it was now possible for me to post something, even with my swollen (but somewhat ameliorated) left hand, if I used my fingers on that hand gingerly. That posting was pretty bare-bones — no further illustrations of some of Sellers’s remarkable works — but it served its purpose, which was to demonstrate that I can once again post stuff, at least relatively short, uncomplicated stuff.

The current posting was intended as another relatively brief, easy affair, about a gesture, or pose, in a men’s underwear ad that happened by accident to surface on my desktop. But it led to that public art, in Fort Lauderdale FL. The two are unlikely to be connected, so there’s still a bit of a puzzle.

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A remarkable table lamp

October 4, 2023

The generalization is that almost anything of the appropriate size can be used as the base of a table lamp, especially if it’s vertically oriented. If you happen to have a sculpture of the right size, or a piece of ceramic art, you could just display it as an art object, sitting around somewhere for admiration. Or you could put it to a good use as a lamp base, in which case it will be displayed right in the middle of things. And all sorts of art work has been exploited this way.

Suppose, more specifically, that you have scored a high-end sculpture in bronze by George Sellers — one of his insect sculptures, in particular a magnificent staghorn beetle cast in solid bronze, on a walnut base, which Sellers has made into a lamp base:


As reported on the 1stDibs site, where the lamp sold for $14,000

From the site:

Dallas based sculptor George Sellers studied in Italy, where he was trained in the traditional methods by a master carver. He creates seductively Gothic home furnishings and objets using plaster and bronze as his primary mediums. … large staghorn beetle sculpture table lamp cast in solid bronze on a walnut base, designed in a fine arts foundry using the lost-wax method of casting

The whole thing is 3 ft tall.

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coming soon, two pun cartoons

October 3, 2023

from my most recent — 10/1 — posting, “typologizing interjections”,

a mary, queen of scots, cry that i am not dead yet (things have been very bad, though inclined to great pain and disability rather than intimations of mortality)

great pain, which has crystallized as excruciating pain when i use the pointing finger of my left hand to capitalize things. so i’m avoiding caps — and parens, etc. — as much as possible.

but eventually i will have two nice recent pun cartoons — by tom chitty and kaamran hafeez — to entertain you. the posting is mostly put together, but assembling it for publication requires more pressing with that finger than i think i can bear. so this is a promissory note. and an announcement that i’m not dead yet,  but deeply aggrieved.

Typologizing interjections

October 1, 2023

For Rabbit Day, the first of the month — 🐇 🐇 🐇 — and as a Mary, Queen of Scots, cry that I am Not Dead Yet (things have been very bad, though inclined to great pain and disability rather than intimations of mortality), this announcement — of a workshop and then a cool-sounding research project — from Maia Ponsonnet on the Variationist list in e-mail on 9/26:

On 21 Nov, Maia Ponsonnet, Aimée Lahaussois, and Yvonne Treis are convening a one-day workshop entitled “Typologizing Interjections”.

The workshop will take place from 9am to 5pm CET, in Lyon (Dynamique du Langage), and via Zoom

Context: This workshop is the first step of a [CNRS: Centre national de la recherche scientifique] research project on the typology of interjections. The broader project aims to publish an open-access edited volume, featuring a larger number of descriptive contributions on the semantics and functions of interjections in individual languages across the world. To start this scientific conversation and launch joint research efforts, we propose a one-day workshop, accessible in hybrid mode

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A matter of scale

September 30, 2023

From “Barry Blitt’s Sketchbook” on the Air Mail site on 9/23:


The players here: Blitt is the (politically engaged) New Yorker cover artist (who is, among other things, a whiz at caricature); Jann Wenner is co-founder of Rolling Stone magazine and author of the 2023 book The Masters: Conversations with Dylan, Lennon, Jagger, Townshend, Garcia, Bono, and Springsteen (a book of his personal enthusiasms, which consequently included no female or black masters); and Joni Mitchell is, as Wikipedia has it, “one of the most influential singer-songwriters to emerge from the 1960s folk music circuit, …  known for her starkly personal lyrics and unconventional compositions which grew to incorporate pop and jazz elements”

Some critics believe that Blitt didn’t get the scale right: to scale, Wennner should be considerably smaller than this. I am sympathetic to this criticism, but then I’ve always found Wenner to be repellent and admired Mitchell enormously.

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Resist clever marketing

September 29, 2023

… the slogan from a Funny Times magazine t-shirt ($30):


(#1) [FT‘s ad copy:] Embrace the sweet irony of this nostalgic candy-themed tee! It’s a Funny Times exclusive and perfect for thoughtful candy lovers

The model for the shirt:


(#2) A package of Reese’s Peanut Butter Cups

Now, lots of background.

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The rainbow crosswalk

September 27, 2023

Yes, they’re everywhere. But this one is on Halsted St. in the Boystown / Northalsted neighborhood of Chicago, an old established gay village, and it’s painted in muted colors on worn bricks. Not flashy, but solid.


An image posted by Uri Horesh on Facebook yesterday, when he made it his new cover photo

This is today’s Mary, Queen of Scots, Not Dead Yet posting. Not dead, and in many ways in great good health, but severely afflicted by painful osteoarthritism that makes it hard for me to walk and my left hand almost useless.

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wine : oenophile :: beer : X

September 26, 2023

We start with wine, a drink whose enthusiasts, knowledgable fans, aficionados, connoisseurs, and the like are legion, so not surprisingly we have a name for them, with alternative spellings: oenophiles / enophiles. Beer is equally appreciated and enjoyed by many, but there are relatively few beer connoisseurs. But, even if there are few of them, they presumably have a name — maybe an obscure one, but a name nevertheless. What’s the solution to this proportional equation?

wine : oenophile :: beer : X

It turns out that there are (at least) two solutions for X, one Latin-based (like vinophile for wine, which is so rare that it doesn’t make it even into the OED), the other Greek-based like oenophile (Greek to accord with the Greek second element –phile). You’re unlikely to have come across either of them, but the second, Greek-based one, is especially delicious for me, because it’s a Z -word (like Zwicky), and because it came to me through a Facebook friend, Martyn Cornell.

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VIO

September 26, 2023

Received in e-mail this morning, from Dave Sayers on the Variationist mailing list:

We are delighted to announce the next in the 2023-24 series of online guest seminars here in the English section at the University of Jyväskylä, Finland — open to all!

On Tues 10 Oct at 11:00 East European Summer Time Mie Hiramoto (National University of Singapore) and Wes Robertson (Macquarie University, Australia) will give a talk titled ‘Framing masculinity and cultural norms: A case study of male VIO hair removal in Japan’.

That’s it. I was baffled by VIO hair removal; it has two possible parsings, and some large number of possible interpretations. And I was baffled by what looked like an unfamiliar initialism, VIO. Masculinity and cultural norms being one of my areas of interest within the G&S (gender and sexuality) field, I wasn’t willing to let these puzzles just slide.

Two parsings (and many interpretations).

 [ VIO [ hair removal ] ‘hair removal related to VIO’, where VIO is one of: a social group, the removers of hair (cf. born-again hair removal, transsexual hair removal, Ainu hair removal, Japanese hair removal ‘hair removal by Japanese (people)’), a method of hair removal (cf. laser hair removal), a philosophy of hair removal (cf. Buddhist hair removal), a place where hair removal is practiced (cf. Japanese hair removal ‘hair removal in Japan’), or any number of other interpretations

[ [ VIO hair ] removal] ‘removal of VIO hair’, where VIO hair is hair related to VIO, VIO admitting of a wide variety of interpretations: an area of the body (cf. armpit hair, pubic hair), a racioethnic group (cf. Black hair, Jewish hair), an evaluative characterization (cf. ugly hair, unwanted hair), a physical characterization (cf. kinky hair), a color (cf. gray hair), and much more

The (apparent) initialism VIO. Acronym dictionaries list a great many unpackings for VIO, but none even remotely hair-relevant. Searching on “VIO hair removal”, I eventually discovered that VIO is Japanese terminology for the bikini zone, with the initials standing for

V line (the pubes and genitals), I line (the perineum), O line (the anus)

So: the three Latin letters are to be understood as iconic signs, as (highly abstract) pictures of the three bodyparts, not as an acronym, not as the initials in an abbreviation. I don’t think that such an interpretation would ever have occurred to me.

No doubt it never occurred to Hiramoto and Robertson, steeped as they are in Japanese sexual culture, that the letter-sequence VIO would be utterly opaque to outsiders, but it is; I had no clue as to what their paper is about, except that hair removal and males are involved, and that the removal takes place in Japan.

Missing lexical items. A recurrent theme on this blog is that languages regularly lack ordinary-language, widely used lexical items for referential categories of things that are in fact relevant in the sociocultural context the language is embedded in.

So it is for English and the body region that extends from the waistline under the crotch to the anus: the pubes, genitals, perineum, and anus, taken together. This is a region of modesty, and it’s socioculturally highly salient in English-speaking communities generally, but English has no lexical item covering just that territory.

The composite phrase private parts would have been a good choice, but it’s already taken, as a euphemism for the central portion of the region of modesty, the genitals. In this case, it’s hard to see how we could get by with a narrow sense of the phrase (the current usage) alongside a broad sense (for the region of modesty). So we’ll bump along with things as they are, as we do in lots of other cases; people cope. Maybe someone can start a fashion for VIO in English.

Cover your VIO, dude! Were you born in a barn? (And while you’re at it, close the front door!)