Archive for July, 2023

The heat wave, and now blessed relief

July 18, 2023

My note on Facebook on the 16th, two days ago:

Just went out to dump some composting materials on the garden, waiting until the garden was at least in the afternoon shade — but at 88 F (down from the high of 90) — and working quickly. Back in the air-conditioning, somewhat frazzled but feeling accomplished. Contemplating an early dinner — it’s been a long day, up at 2 am and on from there, doing lots of things, including a Mary, Queen of Scots, Not Dead Yet posting that was entertaining for me (if not for my readers).

The posting reference is to my 7/16 posting “The Mummy’s Cursor”.

But now about the heat.

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A homoerotic painting by Bruce Sargeant

July 18, 2023

… appearing on Pinterest yesterday. This led me to a most remarkable story about the painter. Who, as it turns out, is a fictitious artistic personality (complete with a complex life history and a substantial body of works) created by the prodigiously creative American artist Mark Beard.

Now, two things. First, about the actual person Mark Beard, and that’s a whale of a story in itself. Then the complete record of a 2010 exhibition by Bruce Sargeant, on the artland site: “Bruce Sargeant (1898-1938): Private Paintings (14 Jul – 14 Aug 2020)”, with extraordinary and detailed notes on this exhibition.

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High art / low art

July 18, 2023

An old Calvin and Hobbes strip, in my comics feed for today:


Calvin attempts to police the invidious distinction between high art (art for art’s sake, as they say, with no goal other than ennobling the subject of the art or critiquing its content — as opposed to art serving some sociocultural function), taking off from paintings (high art) vs. comic strips (low art), but then falling into a bottomless pit of meta-art, meta-meta-art, etc.

“But is it [high] art?” is a recurrent theme on this blog. I routinely note the judgment of high art is not in fact primarily made on the basis of the goal of the work, but always is made by reference to an established structuring of the world of artists, exhibitions, agents, and the like. And I have advocated for the celebration of high levels of craft wherever it’s found.

 

To the Sea!

July 18, 2023

The title of Peter de Sève’s lemming cover art for the 7/24/23 New Yorker issue, which I reproduce here for its delightful playfulness:


These are of course the lemmings of the pop-cultural imagination, bearing only a distant relationship to actual lemmings

In fact, these sportive lemmings are only a stand-in for the beach-goers of July.

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A Levinstein street hustler

July 17, 2023

(Focused on stud hustlers, with one really racy but not X-rated photo, and text that manages to talk about the male genitals and man-on-man sex entirely in decorous language. But still, it’s about stud hustlers, so not to everyone’s taste.)

Encountered through a Pinterest posting, this photo of a young street hustler from a 2010 exhibition of Leon Levinstein’s urban photography:


(#1) Street Scene: Young Man Leaning against Shopfront Window, from 1972

Now, about the exhibition, and then about this hustler and his presentation of himself.

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Nanabots

July 17, 2023

Today’s whimsical Wayno / Piraro Bizarro:

(if you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 3 in this strip — see this Page)

A complex bit of wordplay here, which involves a chain of nouns — nanotechnology, nano, and nanobot — and then the combination of the nouns nana ‘granny’ and robot the way nano and robot are combined in nanobot. So: nanabot ‘granny robot, robot granny’. The nanabots in the cartoon are doing culturally conventional things for solicitous grandmothers: baking cookies, inviting the kid to visit, knitting a scarf, giving the kid some money for candy.

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The Mummy’s Cursor

July 16, 2023

A preposterous pun — with a long history behind it — for today’s Wayno / Piraro Bizarro:


(#1) Model mummy’s curse  / pun mummy’s cursor (cursor  ‘a movable indicator on a computer screen identifying the point that will be affected by input from the user, for example showing where typed text will be inserted’ (NOAD)) (if you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 12 in this strip! — see this Page)

Now the backstory:

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The beefheart / bee fart chronicles

July 15, 2023

An old Zits strip — Jeremy twitting his father affectionately over Walt’s musical tastes — that’s been hanging around on my desktop for some years. This will take us far afield, thanks to the activities of the performer Don Van Vliet, best known by his stage name Captain Beefheart.


(#1) The relatively easy part of this has to do with the phonology of connected speech, which in casual speech has the compound noun beefheart / beef heart /bif.hart/ ‘the internal organ, the heart, of a bovine animal raised for its meat’ (also the name of, very roughly, a rock music performer) resyllabified and reduced to /bi.fart/ — so becoming homophonous with a novel compound bee fart / beefart; amusement ensues

The reduction without the resyllabification yields yet a third compound noun, beef art, also attested with reference to artworks featuring either bovine animals (in, say, pastoral — bucolic — scenes) or their meat (especially in still lifes, but also in performance art pieces involving raw meat).

I will now abandon this third compound in this posting. And also various imaginative uses for bee fart. I have pretty much all I can handle today with beefheart and Captain Beefheart.

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Hot days

July 14, 2023

This is today’s Mary, Queen of Scots, Not Dead Yet posting, about my adventures in doing more things on my own, taking advantage of my increasing strengths. Today’s project was pruning the plants in my patio garden, removing the flower heads and flower stalks that had come to an end of their blooming life, cutting them into smaller bits and throwing the bits onto the garden strip as compost in the making. All very satisfying, cycle-of-life stuff. (All done, slowly and carefully, using the table on my walker.)

My cymbidium orchids are now all at the end of their bloom — fully six weeks later than normal — and are now in dormancy, silently building up their resources for next fall’s cool and rainy weather and sending up fresh flower stalks.

What I hadn’t reckoned on was the brutal heat: 81 F. when I did the pruning (still on its way to 83). I took my prunings into the shade to do the chopping and cutting, but had to go back into the blaze to throw stuff on the garden. I then decided that no way was I going to deal with the ivy-leaved geraniums on the street at the entry to my condo; something for another day. I retreated back into my house, which has air-conditioning. Still feeling a bit fried.

Hoping to do some more contentful posting tomorrow.

 

 

Writing together

July 13, 2023

A fairly complex follow-up to my 6/30 posting “54 years of chamber music and more” (about Virginia Transue’s book on chamber music at Auburn University), responding to VT’s protests, in e-mail to me, about my posting’s failure to credit her collaborator in the project. I shot back to her with some asperity:

I can scarcely give credit to your collaborator if nothing you you have posted publicly mentions the existence of such a person, nor is he named anywhere in what you have said publicly. Perhaps he wishes to remain anonymous, and I can deal with that in what I say; he can be X. But I can’t credit him if nothing you’ve said publicly mentions even his existence.

And then went on, more constructively, to observe that there are (at least) three ways in which two people can work together to create a book and to speculate on which of these was at work in the chamber music book. I will now amplify.

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