Archive for March, 2012

Edward I as Oliver Cromwell

March 18, 2012

From Michael Quinion’s World Wide Words #778 of 3/17/12:

Miles Irving found this in an article on Dalhousie Castle in the Scotsman on 14 March: “The castle was visited by England’s King Edward I, also known as Longshanks, the Hammer of the Scots, and Oliver Cromwell.”

Three contributions to the problem: (a) the combination of a parenthetical or appositive construction with coordination, both of which use commas, but in two different ways; (b) the possible use of asyndetic coordination (lacking an explicit coordinator) in Longshanks, the Hammer of the Scots — it helps to know that these are two epithets for Edward I — though perhaps the writer’s intention was that the Hammer of the Scots is to be understood as in apposition to Longshanks, inside the parenthetical introduced by also known as (one parenthetical inside another is a potentially confusing configuration); and (c) the choice between using the serial, or Oxford, comma or avoiding it. The result is that even if you know that Oliver Cromwell is not an epithet of Edward I, but the name of an entirely different person, you are likely to get hung up on that absurd interpretation.

Some comments on this particular example, then an inventory of LLog and AZBlog postings on the Oxford / serial comma.

(more…)

St. Patrick

March 17, 2012

It’s March 17th, St. Patrick is upon us, and both spring flowers and holiday underwear sales are in blossom. I’ll start with this suggestive ad for Undergear:

Yes, a play on pot of gold.

(more…)

Annals of nouning: hang

March 15, 2012

From Dennis Preston, this item from Ann Arbor:

And we’d be surprised if some of the hiccups we encountered don’t get taken care of before our next visit. In the meantime, the Wurst is a really fun place for a hang and a nice addition to Ypsilanti’s food-and-drink landscape. (link)

Yes, a nouning of the intransitive slang verb hang ‘hang out (with)’. New to Dennis (and to me), but not to the world in general.

(more…)

The news for gnus

March 14, 2012

Today’s Rhymes With Orange:

Gnus do inhabit the Serengeti.

(more…)

Liverpool to Dingburg

March 14, 2012

Today’s Zippy, an elaborate burlesque on the Beatles, their music, and their albums:

(more…)

Parts: vulva and vagina

March 13, 2012

After I posted my first piece on the (human) body and its parts, with four diagrams illustrating vocabulary for the external parts, Ellen Seebacher complained on Google+:

Okay, can I register my irritation at illustrations of exterior body parts which substitute “vagina” for “vulva”?

Turns out that there are several things going on here: the difference between ordinary and technical (in this case, anatomical) vocabulary; narrow vs. broad interpretation of terms; variation in ordinary language; change in ordinary language; and the problems of ostensive definition.

(more…)

Alphabeticals

March 13, 2012

Yesterday’s Bizarro:

Names of letters deployed in various ways, mostly (but not entirely) as abbreviations, as in J for Jennifer and e for electronic.

(more…)

Annals of nouning: creative

March 12, 2012

On an opinion piece on KQED-FM heard this morning, commenter Bobby Podesta was identified as

head of creative at a San Francisco startup

— with the noun creative referring to the “creative department” of the firm, that is, the department responsible for the “artistic product” of the firm.

One more nouning of the adjective creative, to add to the others attested in the OED.

(more…)

Amazing libretti

March 11, 2012

In the March 22nd New York Review of BooksCharles Rosen reviewing the current production of Verdi’s Ernani at the Metropolitan Opera:

It is clear that Verdi was planting his flag in the field of the most extreme Romanticism (though Ernani, admittedly, is not as silly as the next great opera of Verdi, Il Trovatore, where the gypsy Azucena tries to avenge her mother’s death by kidnapping the baby brother of the Count di Luna, whose father has ordered her mother burned at the stake; she intends to throw the baby into the still smoldering fire, and somewhat absentmindedly throws her own baby in by mistake).

Rosen’s synopsis of the libretto of Ernani is just as funny, but longer.

Opera libretti are a rich field of weirdness. Mozart’s (well, Schikaneder’s) Magic Flute is notoriously hard to summarize in a way that makes it sound sensible. Anna Russell made a career out of retelling Wagner’s Ring Cycle for laughs. And so on. Some libretti merely have small tinges of oddity: Puccini’s Manon Lescaut set in “a desert outside New Orleans”, for example.

Maybe someone has already assembled a collection of Amazing Libretti in synopsis. (I’m reminded of a collection of Amazing Torts put together, in newsletter form, by Harvard Law School friends of mine many years ago.)

picturesque

March 11, 2012

One of my favorites in Martin Parr’s Boring Postcards USA:

Parr’s collection (a counterpart to his U.K. collection, entitled simply Boring Postcards) takes us around  the U.S. though its highways (especially turnpikes and interstates), main streets, shopping centers, motels (inside and out), company headquarters and plants, campus buildings, military installations, airports, banks, and restaurants. There’s an automotive theme throughout

But … picturesque?

(more…)