Terrible pun day

July 15, 2021

Yesterday’s Wayno/Piraro Bizarro:


(#1) (If you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 5 in this strip — see this Page.)

A pun so terrible it’s wonderful: derivative / the riveter. A distant pun phonologically, sharing the prosodic pattern WSWWW and the medial material /ǝrív…t/, plus the pairing of /d/ vs. /ð/ initially, but with the distant matching of /v/ vs. /r/ finally, and with a single word matched with a two-word sequence. As with notably imperfect puns in general, it’s probably understandable only if you recognize the model for the pun: Rosie the Riveter, the name of the figure on the left in the cartoon and of the figure in the “We Can Do It” patriotic poster from WWII.

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proofreading

July 14, 2021

🇫🇷🇫🇷🇫🇷 The One Big Happy strip from 5/28:

We all, from time to time, come across a word we haven’t experienced before (or didn’t register having experienced it), and just guess, often tacitly, at its approximate meaning as the world goes on around us. Little kids, having had much less linguistic experience, do this all the time; they pretty much have to.

To this end, they use similarities to words or parts of words they do know, and Ruthie is an especially analytic kid, keen on finding word-parts in unfamiliar material — plenty of examples in earlier OBH postings on this blog. In this case, the word is in fact straightforwardly analyzable into two familiar parts, and Ruthie gets that.

Oh, but what are those parts? Phonologically /pruf/ (a N spelled proof) and /rid/ (a BSE-form V spelled read).  No problem with the second, but there are several Ns proof; the compound proofread is an idiom with one of those Ns in it, but not the one that Ruthie detects.

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A snowfall of diacritics, an avalanche of röck döts

July 12, 2021

Like most publications about science news for a general public, the weekly New Scientist has a notable sense of humor: two cartoons about science in every issue (see below), bits of word play inserted all over the place, and the occasional wryly funny news brief, like this one (“Bleak, very bleak”) in the 29 May 2021 issue, p. 56 (a note in “The back pages / Feedback” section):

We are grateful, for some value of grateful, to Michael Zehse for drawing our attention to the music of Nænøĉÿbbœrğ VbëřřћōlöKäävsŧ. We discover, as the extensive use of röck döts [AZ: and other diacritics] was perhaps inviting us to conclude, that this is “an extremely underground band that plays a dank, bleak, light-void music commonly referred to as either ‘ambient cosmic extreme funeral drone doom metal’ or ‘post-noise’.”

Having begun listening to one track, 10^100 Gs of Artificial Gravity, from their album The Ultimate Fate of the Universe, we can’t confirm the accuracy of the first description, but the second seems pretty fair.

The “windy, staticy” tone was achieved by the two band members, researchers who describe themselves as having met while studying carnivorous Antarctic predators, loading a bass, an amp and a laptop onto a dog sled to sample at the precise geographic South Pole during a long winter. Whatever we think of the outcome, this is true dedication to art. Rëspëkt.

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Woof!

July 9, 2021

Today’s Zippy strip — anticipating Teddy Bear Picnic Day by just one day (yes, this is relevant) — has our Pinhead engaged with a fiberglass Doggie head from the Doggie Diner chain (1948-86 in San Francisco and Oakland):


(#1) Doggie is a repeating character in Zippy, and the two are usually quite loquacious with one other — in my 12/27/13 posting “Doggie Diner”, they are in fact in a relationship — but so far in this strip, Doggie hasn’t gotten past the basic canine woof

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Lounge shorts

July 7, 2021

Ultimately, about the (semi-technical, commercial) categories of the clothing industries: named types of Xwear that mostly lack labels in everyday language. (Parallel in many ways to the categories of the household supplies industries, with named types of Xware.) But first:

On my Facebook feed yesterday, this ad for men’s lounge shorts (a type of outerwear) from the Nice Laundry company:


(#1) “The Palms Lounge Short”; from their ad: “The most comfortable lounge shorts ever featuring 4-way stretch nylon with soft Micromodal® interior. Made in the shade.”

— which caught my eye for two reasons. First, the label lounge short (with the commercial singular usage; from other companies, lounge shorts, with the everyday plural usage); I didn’t recall having previously experienced lounge as a modifier naming a type of short(s) before. Second, the gorgeous pattern (of palm fronds), rivaling some gorgeous floral patterns for men’s underwear — briefs, boxers, jockstraps — that had been appearing on my Facebook page recently. (As for colors, the Nice Laundry company offers lounge shorts in everything from the plainest of solid black and navy blue through various more arresting solid colors and patterns to the palms.)

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An allusion and a pun

July 1, 2021

🐇🐇🐇 The Mother Goose and Grimm strip from 6/30, with an allusion to an item of culture (the catchphrase “Nobody expects the Spanish Inquisition”, quoting from sketches from the Monty Python tv shows and recordings) and perpetrating a (fairly absurd) pun on the phrase:


(#1) The bull terrier Grimm and the cat Attila confront punishment for their household misdeed

So the ostentatiously playful allusion to the Spanish Inquisition is motivated by the situation in the strip.

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Hopper, Woodstock, & LaBelle

June 30, 2021

… purveyors of riffs on the arts. The principal riffee: panel 1 of the Peanuts cartoon of 8/29/93 (yes, 1993):


(#1) Hat tip to Jeff Bowles on Facebook on 6/28, where readers noted that though panel 1 was on one theme and panels 2-10 on another, they were both about art

Panel 1 is the big riff, cartoonist Charles Schulz’s reworking of that parody magnet, Edward Hopper’s painting Nighthawks, featuring Snoopy’s best buddy, the little yellow bird Woodstock, as the late-night diners, the nighthawks.

And then from the title of the painting, my little riff, an association from Nighthawks to Nightbirds, bringing in the title of a Patti LaBelle song (and the album it comes from).

Finally, the main part of #1 is a story of artistic creation — with Snoopy as the artist, Woodstock as the subject, and Woodstock’s chick as the audience for Snoopy’s portrait.

Nighthawks as a parody magnet. Attracting parodies in the fashion of Wood’s American Gothic, Munch’s The Scream, the Mona Lisa, and of course The Last Supper. The original:

(#2)

Postings on this blog about parodies of it:

from 9/9/12, in “Nighthawks”, a collection of parodies

from 12/26/13, in “Santa art”, an Ed Wheeler parody

from 5/30/15, in “Earworms, snowmen, and parodies”, a Bob Eckstein parody

from 12/29/18, in “Nighthawks in search of an artist”, a Bill Whitehead parody

from 1/2/19, in “Nighthawks on New Year’s”, an Owen Smith parody

from 4/17/19, in “The last Peepshow”, with Peeps parody dioramas of The Scream, Nighthawks

from 7/3/20, in “Nighthawks in a time of coronavirus”, still more parodies

Nightbirds. From Wikipedia:

Nightbirds is an album by the all-female singing group Labelle [headed by Patti LaBelle], released in 1974 on the Epic label. The album features the group’s biggest hit, the number-one song “Lady Marmalade”

You can listen to the track here.

The beginning of the song:

Nightbird fly by the light of the moon,
Makes no difference if it’s only a dream.
Released, relive, just for the day,
It’s the nightbird’s way.

Rainbows and penguins at the gym

June 29, 2021

Yesterday was actual Stonewall Day, honoring the riots at the Stonewall Inn on that date in 1969 and serving as a flashpoint for Gay Pride events and political organizations — and, increasingly over the years, providing a hook for all manner of LGBT-oriented commerce (products for sale, advertising for those products) and feel-good publicity for companies and organizations of all sorts. On darker days, I get the feeling that queerfolk are just being used: rainbow everything, whether or not it has some plausible connection to gender or sexuality. I am myself far from immune to the allure of random rainbow objects.

Some items of apparel, however, are naturals for the rainbow treatment — for gay men, items worn in male athletic activities or associated with male sexual bodyparts (or in the case of jockstraps, both).

As it happens, athletic / running / fitness / exercise / gym shorts are a long-standing item in my clothes drawers: worn for doing exercises at the Y (when I could still manage that), as everyday indoor wear at home, and during the summer as comfortable outdoor wear as well. I’ve been accustomed to using gray cotton shorts (comfortable and cheap, also unremarkable), like these from ROMWE.com:

(#1)

But there are more interesting options.

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The lizard and the flag

June 26, 2021

Today’s Wayno/Piraro Bizarro, with a pun on monitor; and a popular dad joke — even better, a Swiss dad joke, with a pun on plus — retold by Rachel Maddow on her MSNBC show yesterday:

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Il Castello del Formaggio

June 22, 2021

The 6/21 Zippy strip takes us to Kenosha WI, on the highway between Chicago and Milwaukee, along the shore of Lake Michigan — to the location of Mars Cheese Castle, which is why Zippy is there:


(#1) Nothing directly to do with the two principal foci of this blog — language and linguistics, gender and sexuality — but plenty on food, pop culture (along the roadside), and absurdist comedy

As for my interests, Kenosha does have the headquarters of Jockey International — hail to men’s underwear! — and a local woolly mammoth skeleton in its museum — my totem animal! — and, best of all in mid-America’s Land of Cheese, an annual fall Cheese-A-Palooza festival (devoted to the grilled cheese sandwich and to mac and cheese). But best of all is Mars Cheese Castle.

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