Archive for the ‘Mascots’ Category
February 25, 2022
(Somewhat astonishingly, this is going to end up in over-the-line raunchy territory — not for kids or the sexually modest — with a celebration of a character who’s both a feminist and a dirty slut, who deserves the right to fellate men “in the bathroom at Acme on a Wednesday” (from Rolling Stone). I’ll issue a warning when it comes up.)
It starts with today’s Wayno/Piraro Bizarro, with yet another cartoon riff on Magritte’s painting The Son of Man:

(#1) (If you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 5 in this strip — see this Page.) That’s a green M&M candy where Magritte’s painting has a green apple (so the doctor’s message is that the Magritte character has been consuming too many sweets, like that piece of candy, and needs to substitute fresh fruit, like an apple)
Two things here. Thing one, this is (by my reckoning) the 9th cartoon riff on Magritte’s painting that I’ve posted about. Thing two, about M&Ms, and the green one in particular, which has its own life as a character in ads: a life as a sexy, seductive woman. So M Magritte (the cartoon character) might well desire to take her body into his mouth and, figuratively, eat her.
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Posted in Art, Gender and sexuality, Language and food, Language in advertising, Language of sex, Linguistics in the comics, Mascots, Signs and symbols | 2 Comments »
January 7, 2022
A day late for the occasion — Epiphany, 1/6, the Feast of the Magi (Caspar, Melchior, and Balthasar) — an occasion in which I have a personal onomastic stake, as Arnold Melchior Zwicky, named for my father, who was named in honor of his father (Melchior Arnold Zwicky), who was, with two of his brothers, named after a Magus: Melchior, in one tradition king of the Persians, the bringer of gold to the Christ child, and the oldest of the three.
All of this was brought to my attention again yesterday, in a Facebook posting by Bert Vaux, which included this vintage advertising poster:

(#1) The Magus Melchior, roi des Perses, serving as advertising eponym and mascot for Royal Melchior vin mousseux (sparkling wine), in a poster (undated, but from early in the 20th century) by Leonetto Cappiello (sadly, this brand of sparkling wine is apparently no longer produced)
Now: refresher notes on Epiphany; and an appreciation of Cappiello.
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Posted in Art, Books, Clothing, Costumes, Holidays, Language and food, Mascots, Music, Names, Signs and symbols | 2 Comments »
March 18, 2021
Two recent Wayno/Piraro Bizarro strips, from the 15th and (for St. Patrick’s Day) the 17th, both of linguistic interest: among other things, the portmanteau arthropodcast in the first; and the front-clipping ‘shmallows (for marshmallows, of the psychedelic sort) in the second:
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Posted in Abbreviation, Clipping, Holidays, Language and food, Language and the body, Mascots, Portmanteaus, Truncation, Understanding comics | 2 Comments »
January 21, 2020
On Facebook recently, this supermarket snap, presumably from a store in Quebec, with a notable offering highlighted:

(#1) Five parts to the labeling: the name of the product in French (ailes de lapin); the name of the company (Canabec, a Quebec distributor of game — gibiers — and exotic meats; cf. elsewhere Plaisirs Gastronomiques, a Quebec company offering gourmet food, and Gaspésien, another Quebec fine food company); the name of the product in English (rabbit wings); the weight (in grams); and the price (in C$ / CA$ / CAD)
Much FB merriment over ailes de lapin ‘rabbit wings’, to which I responded:
Um, these are rabbit legs, right? Metaphorical? They resemble chicken wings and can be cooked in all the same ways. (Chinese rabbit wings are yummy.) M. Lapin: “Oh, that I had wings like a dove! for then I would fly away, and be at rest.” (Psalm 55) — later adding: “Oh, that I had wings like a rabbit! for then I would bound away, and be at rest.”
It’s a metaphor, son! A metaphor! Apparently one that is dead in Quebec, and so unremarkable in Quebecois — cf. Fr chauve-souris ‘bat’ (lit. ‘bald mouse’), Engl head of lettuce (where are its eyes and mouth?), and other dead metaphors that become entertaining when you attempt to breathe life back into them.
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Posted in Catchphrases, French, Language and food, Mascots, Metaphor, Movies and tv, Silliness | 3 Comments »
January 13, 2020
(Lots of off-color jokes, some of them gay-inflected, along with a number of peanut cartoons. So: crude, and perhaps not to everyone’s taste.)
Today’s Rhymes With Orange — entertaining if you get the crucial pop culture allusion, incomprehensible if you don’t:

(#1) An elephant at the doctor’s office, with an x-ray showing the contents of his stomach to be a top hat, a monocle, and a cane; in the face of this evidence, the doctor asks the patient if he’s sure that all he ate was one peanut (presupposing that the patient has claimed just that)
How does this even make sense, much less be funny? Even granting the poploric association between elephants and peanuts — which is actually pretty baffling (see below) — why do peanuts come up in #1 at all? We have a trio of men’s accessories and no visible peanuts.
There’s a hint in the bonus commentary on the left: elephant to elephant, “It’s a medical Mister-y”, where the clue is Mister. But the clue is useless if you don’t know your way around the symbolic figures of American commerce.
You have to be a friend of Mister Peanut.
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Posted in Double entendres, Gender and sexuality, Language and animals, Language and food, Language and the sexes, Language in advertising, Language play, Linguistics in the comics, Mascots, Masculinity, Movies and tv, Pop culture, Puns, Signs and symbols, Understanding comics | 1 Comment »
September 30, 2019
Yesterday’s New York Times Magazine (in print) was “The Voyages Issue: Photographic dispatches from the extremities of the earth”, with one report from remote parts of Norway: “Majesty on the Wing: Enormous and indefatigable, sea eagles turn their daily hunt into a thrilling display of aerial dominance”. The introductory photo:

(#1) (photographs by Paolo Pellgrin, text by Helen Macdonald)
Notable to me because the sea eagle, or ern(e), is my onomastic totem animal, Arnold being etymologically the ‘eagle’ stem arn-/ern- + a variant of the ‘adult, strong’ stem alt-/ald-. I am eagle-strong (you may snicker at this; most people do). (In defense of my parents, Arnold is a common Swiss-German name; probably no one in the family had any idea of its etymology.)
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Posted in Language and animals, Mascots, My life, Names, Signs and symbols | 2 Comments »
September 21, 2019
Today’s Zippy takes us to the shore of Lake Erie, in the roadside realm of Dolly Dimples (but, startlingly, it will end with the minstrel-show character Rastus and the Cream of Wheat box; you never know where things will go these days):
(#1)
DD is actually selling chocolates, statuary, and tchotchkes, not hamburgers. Her head is indeed unrealistically gigantic, but even with this selling point she’s probably not going to leave Silver Lake NY to pursue a failed movie career in L.A. (note the whimsical tense-aspect-mood semantics of intending to pursue a failed career).
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Posted in AAVE / Black English, Books, Language and food, Language and race, Linguistics in the comics, Mascots, Names, Race and ethnicity, Semantics, Taboo language and slurs, Tense-aspect-mood, This blogging life | 1 Comment »
August 22, 2019
(Warning: consider the subject; penises will be under discussion, so some will want to skip this posting.)
I’ll start with the logo of Herb’s Plumbing & Heating, 2562 Noble Rd., Cleveland OH:

(#1) Brawny man, a plumber, with a big wrench — the symbol of his trade, also (like wrenches in general) a phallic symbol, intensifying the masculinity of the image
This is garden-variety phallicity. But on Herb’s trucks, we get something more substantial: a phallic simulacrum, a representation of a penis (which is, however, also symbolically a wrench):
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Posted in Art, Gay porn, Gender and sexuality, Language of sex, Logos, Mascots, Masculinity, Movies and tv, Phallicity | Leave a Comment »
January 20, 2019
For Penguin Awareness Day, one more spheniscid moment, this time from Canada, where the creatures infest the banking industry.

(#1) Percy the Penguin, mascot of CIBC (formerly Canadian Imperial Bank of Commerce; CIBC is now an orphan initialism), in a 2015 ad
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Posted in Abbreviation, Holidays, Initialisms, Language in advertising, Mascots, Penguins, Signs and symbols | 2 Comments »