Every so often I have a spectacularly vivid dream in which the solution to some linguistic puzzle that’s been deviling me explodes in my mind. All I have to do is save it, in my mental cloud storage, until I can enter it into my computer. The idea is not only good and true, it is also very beautiful. Unfortunately, when I shake myself fully awake, I see that it is in fact crackpot crap.
So it was yesteday morning, after a sleep primed by a moving performance of Stephen Foster’s “Hard Times, Come Around No More” on my iTunes. The conviction that yes, that was it, that song was the answer to everything, persisted through three hazy toilet breaks, until I actually woke up and faced the hard truth that I didn’t even know what the question was. But, having had Anonymous 4 and Bruce Molsky take me to 1865 and into the world of the song, I was deeply sorrowful: hard times would surely come around again, and my linguistics was helpless against that bleak future.
I ended up spending the morning with Foster’s “Hard Times”, specifically mourning the tragedy of American chattel slavery, disasters of the 1850s, the Civil War, the Great Depression, and the poverty of Appalachia and the Ozarks, but then dissolving into free-floating anxiety over everything from the Babylonian captivity to the madness of our king (and there’s an awful lot to weep over in between).
All this driven by the music.
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(#1)
