Archive for the ‘Poetic form’ Category
September 16, 2021
In the mail yesterday (in transit for a month from Italy), this neon purple penguin key ring — a pengring, portmanteau of penguin + ring — a little gift of friendship in difficult times, from Anna Thornton — morphologist Anna M. Thornton, Professor of Linguistics at Università Degli Studi Dell’Aquila, the University of L’Aquila, Italy:
(#1) A hollow key ring, with the hollow good for holding the pendant penguin and so finding and wielding the keys on the ring, though this particular design is usually intended to make the pendant usable as a bottle opener; I don’t, however, think I’d want to risk scratching that handsome purple surface on a bottle cap (but then twist caps have widely replaced pry-off caps, so we all have less call for bottle openers)
And from this, excursions in many directions.
I note at the outset that the penguin is one of my totem animals; my house is a riot of penguiniana (and mammuthiana as well). Anna’s choice of penguin as gift creature was no accident.
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Posted in Language and food, Music, Penguins, Poetic form, Portmanteaus | 4 Comments »
August 21, 2021
(Or, Cheers: Does anybody know some work?)
A comment from me yesterday on my 8/7 posting “Melecio / Biaggi”, in which I noted the lifelong social stigma for sexworkers (Melecio / Biaggi being one such),
which I posted baffled comments on in my posting: there’s a moral question here, lying in the nexus between matters of sexual morality and matters of economic morality. So I thought to appeal to a moral philosopher [Tim Scanlon of Harvard] to ask if the question had been considered in the literature in that field.
… I keep posing queries (arising from my postings) to academics who are old friends (Tim; the phonetician John Wells [at University College London] on “difference illusions”, illusions that certain homophones are actually distinct in pronunciation [in my 8/9 posting “The khan con”]; and the [Stanford] linguist Paul Kiparsky on the metrics of chants [in my 7/18 posting “Between the glutes”])
Tim and John were intrigued by my queries, but had no literature to offer. Paul’s response was more complicated: over brunch, he and I together were able to recall a few items, so that I could write to their authors for assistance, and our conversation led me to realize that the topic was a great deal more complex than I had thought when I posed the query.
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Posted in Music, Poetic form, Poetry, Prosody, This blogging life | 4 Comments »
August 19, 2021
(Well, yes, jockstraps, depicted and described, with attention to their contents, so not to everyone’s taste.)
In a comment on my 8/15 posting “Jock Robin” (a posting about jockstraps in beautiful colors, masculinity, and sexuality), Mike McManus noted the relevant novelty song “Harry’s Jockstrap” (a jock that’s pale blue, suggesting that Harry is a fairy), a burlesque on the French nursery rhyme (and round) “Frère Jacques”. I had somehow missed “Harry’s Jockstrap”, but here it is, in all of its pale blue fairy glory:
Harry’s jockstrap, Harry’s jockstrap
It’s pale blue, it’s pale blue
They say that he’s a fairy. But Harry is so hairy
So are you, so are you
(Call this verse HJ.) The burlesque goes on and on through many more verses; I’ll give you a transcription and a recording of the whole thing — but first, some background. (more…)
Posted in Color, Dialects, French, Gender and sexuality, Language and the body, Masculinity, Music, Parody, Phonology, Poetic form, Poetry, Underwear, Variation | 3 Comments »
August 5, 2021
In today’s Wayno/Piraro Bizarro — Wayno’s title: “The Mammal in the Mirror” (a play on the song title “Man in the Mirror”) — a manatee primps at his vanity, yielding the vanity + manatee portmanteau vanatee, and crossing genders as well as words (masculine manatee — “Man in the Mirror”, addressing himself as handsome, bristly body — at a conventionally highly feminine item of furniture, a vanity table, for applying makeup in the bedroom):
(#1) (If you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 4 in this strip — see this Page.)
I’ll start with the two contributors to the portmanteau and follow them where they lead, which is many surprising places.
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Posted in Beheading, Gender and sexuality, Illusions, Language and animals, Linguistics in the comics, Music, Poetic form, Portmanteaus, Prosody | Leave a Comment »
August 3, 2021
The One Big Happy from 6/5, in which Ruthie struggles, eggcornishly, to rationalize an unfamiliar name with familiar parts:
Mary, Susan, whatever.
Meanwhile, I now have “Honey Bun” from South Pacific in my head:
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Posted in Eggcorns, Errors, Linguistics in the comics, Music, Names, Phonetics, Poetic form, Variation | 4 Comments »
February 24, 2021
On Reddit on 2/22, posted by u/Tom7454:
“On the anniversary of Arthur Schopenhauer’s birth, David Bather Woods, a Schopenhauer expert at the University of Warwick, recommends five books on Schopenhauser.”
The typo was quoted on Facebook on 2/22 by Wendy Thrash, who explained the intervention of Schopenhauser:
“Because nobody wants to read about Schopenhauer.”
The pointer is to Five Books, a site with book recommendations from authorities; each recommendation is for five books on a specific subject, in this case David Bather Woods on Arthur Schopenhauer:
(#1)
Which inspired me to light verse:
Schopenhauser
Was a schnauzer
A bristly brute that
Played the flute
(more…)
Posted in Books, Errors, Language and animals, Language of sex, Language play, Philosophy, Poetic form, Typos | 2 Comments »
July 12, 2020
In my comics feed for the day, this One Big Happy from 6/15, featuring a Dad Tall Tale, DTT for short (here an elaborate poetic burlesque):
(#1)
The original: Joyce Kilmer’s famous (and famously sentimental) poem “Trees” — also famously parodied, most notably in Ogden Nash’s “Song of the Open Road”.
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Posted in Linguistics in the comics, Masculinity, Parody, Poetic form, Poetry, Pop culture | Leave a Comment »
July 7, 2020
An excellent line of dactylic tetrameter — Navy flamingos and roseate spoonbills — featuring two strikingly pink birds, and these birds on fancifully patterned men’s swimwear and shorts. Then a bonus item that’s not suitable for kids or the sexually modest.
We begin with yesterday’s Daily Jocks ad, for the Elia beachwear company:
(#1) A not entirely human apparition on the beach, a superreal PlasticMan hunk, staring down fixedly at his big (artificially enhanced) package and at the wonderfully playful pink flamingos on his navy-blue swim briefs (note the typo flip fops, which I’ll get to in the bonus section)
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Posted in Clothing, Language and animals, Language of sex, Linguistics in the comics, Masculinity, Poetic form, Underwear | Leave a Comment »
June 4, 2020
A postcard from Ann Burlingham back in March, from an exhibition at the Frick Museum in Pittsburgh, with this ghostly vision:
(#1) Nick Veasey’s Boxer Shorts (2008)
From Wikipedia:
Nick Veasey is a British photographer working primarily with images created from X-ray imaging. Some of his works are partial photomanipulations with Photoshop. He therefore works with digital artists to realise his creations.
Born in London in 1962, he worked in the advertising and design industries and pursued work in conventional still photography before being asked to X-ray a cola can for a television show. Veasey also X-rayed the shoes he was wearing on the day and upon showing the finished image to an art director was galvanised by the response it provoked.
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Posted in Art, Childhood, Linguistics in the comics, Poetic form, Underwear | Leave a Comment »
