Archive for the ‘Obscenity’ Category

Ah-ooga

April 26, 2010

The Zippy strip has advanced to #3 in the “Speechless” series (first two installments — or instalments, if you will — here and here), and moved from silence to vocalizations that are and are not “speech”:

There’s an overwhelmingly large literature on various kinds of symbolism and conventionalization in utterances. Ah-ooga, used to represent the sound of an automobile horn, most notably a Ford “Model A” horn (there’s even an ahooga website, for owners and restorers of Model A’s), falls in with a big class of cases, of several types — ouch and ah-choo and cock-a-doodle-doo and whoosh among them — that are expressive or sound-symbolic but also conventionalized to the point where they can be pronounced like ordinary words (rather than sound effects), though they can also be set off to some extent from the material surrounding them by various levels of “performance”, rather than mere utterance.

Now, you ask, the fish, what about the fish? How do we get from ah-ooga to landing a fish, or the reverse? Here I’m not up enough on Zippyconography, though the fish looks vaguely familiar. Maybe some kind reader can help.

Short shot #23: community standards

November 27, 2009

Alessandra Stanley’s “The TV Watch” column (“Community Standard or Double Standard?”), in the November 26 New York Times Arts section, begins:

It wasn’t really the man-on-man kiss or the simulated oral sex that marked [American Idol contestant] Adam Lambert‘s performance on the American Music Awards on Sunday as shocking. Mostly it was ABC’s reaction. By rescinding Mr. Lambert’s invitation to sing on “Good Morning America,” ABC self-protectively drew a line that networks usually prefer to keep blurred.

… There is a lot of very adult material on television all the time, and mostly it flows unchecked and unpunished, except when it comes as a surprise and hits a nerve. Community standards are mutable and vague; lots of people don’t know obscenity until someone else sees it. [emphasis mine]

… Mr. Lambert … startled viewers because he did things akin to what outrĂ© rappers and female pop stars have performed onstage to get attention, only he did it as a gay man.

ABC brought on “squeaky clean Donny Osmond” instead of Lambert, and Lambert went on “The Early Show” to complain about double standards. Stanley concluded:

[Lambert’s singing on the American Music Awards] wasn’t the best musical performance by any means, but it wasn’t the worst display of sexual debauchery either. Mostly it was a reminder of television’s policy regarding gay men: Do tell, just don’t show.