Archive for the ‘Comic conventions’ Category

A Biblical moment at the therapist’s

September 16, 2023

Today’s Wayno / Piraro Bizarro, a Psychiatrist cartoon with a Biblical theme:


(#1) Wayno’s title:”Revised Translation” (if you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 4 in this strip — see this Page)

Note the concessions to the ancient setting in the furnishings of the therapist’s office. (Do not write me about the impossibility of writing with a quill pen on parchment in the fashion shown in the cartoon; this is, after all, a kind of imaginative fiction, combining features of some fictional world and the modern real world. Get a grip on things: there were no psychoanalysts in Flood Times.)

However, a Biblical theme is appropriate for the day, since it’s Rosh Hashanah, Jewish new year.

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The Long Hello

September 15, 2023

(Warning: after the McPhail, there will be some tasteless jokes, including two sexual ones)

By Will McPhail, a delightful Ascent of Man (in this case, a self-possessed young woman) cartoon in the latest (9/18/23) issue of the New Yorker:


(This blog has a Page on comic conventions, including cartoon memes (like Ascent of Man); and also a Page on Will McPhail cartoons)

So: the cartoon meme, plus a joke meme that plays on liking long walks on the beach as a stock sentiment in American personals ad (I don’t know the history of the formulaic expression).

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The pumpkin spice of August

August 31, 2023

Retailers are rushing the season: while little pumpkins peek out from the ironweed and goldenrod of late summer, the scent of pumpkin spice suntan oil blankets the beaches, heralding a torrent of pumpkin spice lattes soon to be sweeping through city streets. No, it’s not your addled perceptions, it’s an actual thing.

From NBC News, “Autumn arrives earlier than ever for Starbucks and others with pumpkin menu items: The number of limited-time pumpkin launches more than doubled to 86 in August 2022 compared with 2019”, by Amelia Lucas (CNBC) on 8/31:

In most of the U.S., tree foliage is green and temperatures are warm. But for many restaurants and retailers, fall is already here.

Halloween candy and pumpkin spice lattes used to wait until after Labor Day to make their annual debuts, ushering in the start of fall several weeks before the season officially begins. But in the past few years, restaurants and retailers have been releasing their autumnal food and beverages even earlier.

… [But] fear not — plenty of companies are sticking to normal seasonal boundaries.

Reynolds’ Hefty isn’t releasing its cinnamon pumpkin spice-scented trash bags until September.

Below, there will be a brief refresher about the substance and its cartoon career, just so I can replay Bob Eckstein’s charming cartoon about pumpkin cartoon-memes, from last fall; Bob has now turned this into the logo for his newsletter on substack, so I can give you this version:


Three cartoon memes: Seeker and Seer / Wise Man, Sisyphus, Desert Island — see my 11/1/22 posting “Every meme is better with a pumpkin in it”

Suppose I just showed you the first of these, out of the blue, without any background or information (all that stuff I’ve just been feeding you) — a pumpkin on a ledge outside a mountain cave — what would you need to bring to it to understand why I might find it so irresistibly funny that I smile every time I see it, sometimes break into happy laughter?

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herd it / heard it

August 30, 2023

The pay-off to an elaborate set-up tale, giving a pun on a familiar expression (in this case a song title). From Vince the Sign Guy: Vince Rozmiarek of Indian Hills CO and (from his Facebook page) “his lighthearted puns shown on local community signs”:


Phonologically, there’s a stretch of speech that’s both I herd it through the grapevines (the pun, the pay-off from the vineyard cow story) and the nearly homophonous “I Heard It Through the Grapevine” (the model, the song title); semiotically, however, that stretch of speech is either about one of these situations or the other, not two nearly identical situations

Specifically, there’s no metaphorical structuring of the vineyard cow situation (in the story) on the basis of the information exchange situation (in the song). Their only relationship is phonological.

This isn’t a defect; most puns are merely phonological, and that’s fine. Vince Rozmiarek’s vineyard cow story is a great little joke, of a recognizable genre of punning: the set-up + pay-off story based on a formulaic expression — for short, a formula pun.

It’s just that a small number of puns are what I’ve sometimes called — I’ve wrestled a long time with ways of saying this — satisfying, meaning semiotically satisfying: the participants are represented as belonging to two worlds at once. They are anteaters, say, with the formicavore’s passionate hunger for the insects, but they are also diners in conventional American restaurants, insisting on specific kinds of table service and exhibiting dining quirks (like an aversion to spicy food). The first of these worlds is systematically mapped into the second, in an elaborate metaphor. (The restaurant-going anteaters are a recurring theme in Bizarro cartoons.)

From this month in my postings: on 8/3 “Brief shot: cock time”, about the expression cock time:

An atrocious pun [on clock time], but satisfying in that some … item is not merely introduced into a context for a near-homophone, but participates in the world of that model expression. We see something that’s a cock [a man’s penis] and a (kind of) clock.

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Wise Man

August 30, 2023

Thoughts provoked by John Baker’s comments on my posting yesterday “The back-to-school cartoon”, about this Brendan Loper cartoon:


(#1) I noted that “the original seer-consulting cartoon”, in the New Yorker of 12/5/22, had a different caption

JB commented:

For a second, by “original seer-seeking cartoon,” I thought you meant the first ever such cartoon. Any idea how this trope began? Is it primarily a New Yorker thing?

My response, and some notes from my files on the cartoon meme in question.

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De Interpretatione

August 11, 2023

From the New Yorker issue of 8/14 (arrived in my mailbox yesterday), two cartoons about interpreting what we perceive — on what we see, a Stephen Raaka cartoon on the perils of pointillism; and on what’s been said, a Will McPhail drawing paired with this issue’s winner in the caption contest, with a text about literal vs. figurative understandings.

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The Marquis de Sad

July 29, 2023

(Innocent posting until I get to Pasolini’s Salò, or the 120 Days of Sodom, a section that is absolutely not for kids or the sexually modest. I’ll issue a warning when it’s coming up.)

Today’s Wayno / Piraro Bizarro, a Psychiatrist cartoon with, on the couch, a Marquis de Sade who no longer can no longer find pleasure in blasphemy and cruelty:


(#1) Yes, a terrible pun, with sad for the model Sade (if you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 6 in this strip — see this Page)

Note that the therapist matches the Marquis in period costume, including a wig and the use of a quill pen for taking his notes.

Now, the backstory (about the actual Marquis de Sade and his writings) and the afterstory (the movie Pasolini made out of 120 Days of Sodom.

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Their mortal anxieties captured in a picture

June 13, 2023

In a Psychiatrist cartoon by Oren Bernstein in the New Yorker of 6/12/23:


(#1) The patient flopped on the therapeutic couch is a despondent octopus [6/14: oh dear, apparently a squid rather than an octopus; later on 6/14: not exactly a squid either (see comments) — so an OSB cephalopod, of a previously unreported species]; the analyst has presented the cephalopod with  a Rorschach inkblot (designed as a projective psychological test), which has aroused the patient’s deepest fears, of fleeing the pursuit of death

I know, you don’t see the savagery of an attacking shark, but then you’re not an octopus [or squid].

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16 will get you 3

May 16, 2023

In my comics feed for today, May 16th, three excellent strips: a Zits on learning how to use a computer (and coping with explanations for how to use it from the deeply tech-embedded, like the 17-year-old Jeremy Duncan in this strip); a Rhymes With Orange with a truly bizarre way for spelling your name when ordering drinks at the neighborhood cafe; and a Bizarro with a high-groan pun.

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First with anteaters, then with penguins

March 30, 2023

I spare you the details of what these Pacific “bomb cyclone” weather events do to my body when it encounters the very low air pressure that accompanies them, but it’s extremely unpleasant and totally immobilizing (and this time, it included the inability to focus my eyes, so I couldn’t read anything for, like, four hours). That was yesterday; surviving this attack comes with slow recovery over some days. I had an “easy” entertaining posting in preparation, mostly replays from the past, so this is what I’m giving you now, just as proof that I’m not (quite) dead yet.

The occasion is yesterday’s (3/29) Wayno / Piraro Bizarro, set in a little spheniscid restaurant:


(#1) Wayno’s title: “Just Like Mom Used to Spew” (If you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 5 in this strip — see this Page.)

Crude spew from Wayno, technical regurgitate in the cartoon text. Both references to penguins feeding their chicks. So: some comments on these practices. Then on to the restaurant — with all the accoutrements of a little neighborhood place — serving homey specialties, by penguins, for penguins.

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