Archive for the ‘Puns’ Category

What was We thinking?

September 30, 2019

The header is the beginning of a piece in the NYT Opinion section on-line on 9/25/19 (in print 9/26), “Open Offices Are a Capitalist Dead End: One story from WeWork’s inevitable blow-up: Our offices offer few spaces for deep work” by Farhad Manjoo. The first two paragraphs:

What was We thinking? That’s the only question worth asking now about the clowncar start-up known as The We Company, the money-burning, co-working behemoth whose best-known brand is WeWork.

What’s a WeWork? What WeWork works on is work. The We Company takes out long-term leases on in-demand office buildings in more than 100 cities across the globe (lately, it’s even been buying its own buildings). Then We redesigns, furnishes and variously modularizes the digs, aiming to profitably sublease small and large chunks of office space to start-ups and even big companies. Well, profitable in theory: The We Company lost $1.7 billion last year.

The business story is remarkable — you don’t see expressions like clowncar start-up in the pages of the NYT very often — but my point here is a narrow linguistic one and (at first glance) an extremely simple one, which is that

Names Is Names (NIN): A proper name is a name.

Which is to say:

A proper name is a (meaningful) expression, and not merely a form. So that, in general, a proper name has the morphosyntax appropriate to any expression with the referent of that name.

/wi/ (conventionally spelled We) is the name of a company and consequently has the morphosyntax of such a name: 3sg verb agreement (We is ambitious), possessive /wiz/ (We’s business model), etc.  — like /ǽpǝl/ (conventionally spelled Apple): Apple is ambitious, Apple’s business model. The fact that English also has a 1pl pronoun /wi/ (conventionally spelled we) — (we are ambitious, our business model) — is entertaining, but essentially irrelevant, even though the name of the company was chosen with the pronoun in mind. The name was a little joke, a pun on the slant, and now Farhad Manjoo for the NYT has wielded it for a bigger joke, salting his article with instances of conspicuously 3sg (rather than 1pl) We.

Well, I will say a bit about the business story, because it’s funny-awful all on its own, and I’ll say a little more about NIN, both when it’s sturdy and straightforward (as here) and when it’s entangled in complexities.

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Quid pro Joe

September 30, 2019

From the Washington Examiner, “[REDACTED] campaign calls Biden ‘Quid Pro Joe’ and says whistleblower is ‘in favor of one of the corrupt 2020 Democrats’” by Mike Brest on 9/29/19:

The [Helmet Grabpussy] campaign flipped the script on allegations of a “quid pro quo” between President [Grabpussy] and Ukraine, instead labeling former Vice President Joe Biden as “Quid Pro Joe” and alleging the whistleblower is politically motivated.

Ah, a political pun, based on what was once a Latin term mostly from the legal and political worlds, but is now a more generally used plain English noun /kwɪdprokwó/ (with a regular plural, /kwɪdprokwóz/.

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79

August 29, 2019

As we slide into a US holiday weekend — leading to Labor Day, the first Monday in September, this year on the 2nd — my birthday (on the 6th) looms as well. Coming up is a prime-th birthday, the 79th, an auspicious number to my mind, just one short of the 80th, which many view (like the similarly vigesimal 20th, 40th, and 60th) as a landmark birthday, in this case the gateway into old age. But for the moment I’m prime, baby.

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Pedaltecture

August 18, 2019

Saturday’s Zippy takes us to southeastern Pennsylvania, the land of my childhood:

(#1)

Not in escrow, but in Hellam Township, in York County PA. Specifically, in the Haines Shoe House. Which is a house in the form of a shoe (rather than a shop that sells shoes, or a storage place for shoes, or …).

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The opossum joke

July 30, 2019

(I posted a version of this under the heading “The opossum” on July 30th, but by a WordPress glitch the link to that posting was later re-directed to the next posting in line, “Ralph at the Port Authority” (here), so that my earlier posting disappeared completely. I lamented this loss on Facebook, and eventually archivist and quote investigator Garson O’Toole magicked up a Google Cache version of the text for me. Thanks to Garson, here’s a reconstituted version.)

(Totally baffled addendum. WordPress has published this revised posting with the date 7/30, though it was actually posted on 8/1.)

A very sweet One Big Happy from 6/30: Ruthie and her grandfather:

(#1)

A granddad joke — well, actually, two of them in sequence, the first sledgehammer simple (a classic dad joke), the second delightfully subtle (a meta-joke in which the audience response becomes a crucial part of the joke).

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Conventional and creative metaphors

July 24, 2019

In a recent comics feed, the 6/27 One Big Happy, with an exchange between Grandma Rose and the grotesquely smiling Avis

(#1)

In panel 1, the baggage of emotional baggage is a conventional metaphor, one no longer requiring the hearer to work out the effect of the figure and so now listed in dictionaries. But then Rose immediately brings it back from dormancy to life in a long riff of creative metaphor (in panels 2-4), composed on the spot and calling up a complex and vivid scene for the hearer.

We use the same term, metaphor, for both phenomena, and the mechanism is the same in both — but one is a historical phenomenon (whose figural character is usually out of the consciousness of speaker and hearer), while the other is a phenomenon of discourse production and comprehension in real time.

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Singout at the CA chorale

July 16, 2019

As I arrange for a small Sacred Harp singing at my house in Palo Alto next month, a Bizarro from the past, this 1/10/07 strip:

(#1)

Relevant fact: SH singing is famous for being loud and harsh in tone — especially the altos, whose voices are often described as having a “glass-cutting” timbre.

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Avocado Chronicles: 4 avotoast

July 15, 2019

Although, or perhaps because, I live in one of the world’s avocado toast hot spots, I’d hoped to avoid posting on the silly fad for avotoast, but then this Mother Goose and Grimm cartoon — with its pun on toast — appeared in my comics feed:


(#1) Up off the counter and onto the table

Three things: avocados, toast, and avocado toast.

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A bit more reaping

June 29, 2019

Just one day after a particularly fine Rhymes With Orange cartoon combining the Desert Island cartoon meme and the Grim Reaper meme — in my 6/27 posting “The Desert Island Reaper” — came a Wayno/Piraro Bizarro with a groaner Grim Reaper pun:


(#1) (If you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 2 in this strip — see this Page.)

The figure of the Grim Reaper — the bringer of death — as a window-washer, removing — destroying — the grime on the windows of a high-rise building, with the blade of his scythe replaced by a window-washer’s squeegee.

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Trix is for kids

June 17, 2019

Going the social media rounds, this joke, an ostentatiously playful allusion (OPA) to a bit of popular culture, presented as a texty — a cartoon that’s primarily a printed text, though texties often come with a visual backdrop, which sometimes contributes crucially to an understanding of the joke, as here:


(#1) A texty that lives in two worlds: American political culture of recent years (a reference conveyed visually, through the photo of Paul Ryan); and an ad campaign for an American breakfast cereal marketed to children (a reference conveyed verbally, by the ostentatious play on the ad slogan “Silly rabbit / Trix is for kids!”)

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