Archive for May, 2024

Queens Pride

May 31, 2024

To mark the eve of Pride Month, this digital composition passed on by Steven Levine on Facebook today:


Queen Elizabeth II of the United Kingdom, in the 7 ROY G. BIV, or Newtonian rainbow, colors, rather than the 6 Pride Flag colors — so the composition was probably not intended to celebrate the wonderful LGBTQ+ness of June; but let’s just disregard that

Now, the composition supplies a number of tokens of the Queen Elizabeth II type, so I had to consider whether my title for this posting would be Queen’s Pride (one QEII type) or Queens’ Pride (many QEII tokens). This is a familiar sort of problem, cropping up annually when Mother’s / Mothers’ Day and Father’s / Fathers’ Day come around, and I’ve chosen the same solution for my title that I chose for those two commercial holidays: axe the damn apostrophe. It’s Queens Pride.

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Cited!

May 31, 2024

🐅 🐅 🐅 three tigers for ultimate May, slavering to devour the steamy rabbits of June; but first, a drama of citations

It started on 5/27, in my posting “Extremely famous in a very small world”, where my rheumatologist reported that he had come across me cited, in Kory Stamper’s Word by Word: The Secret Life of Dictionaries (2017), as an an authority on linguistics (for my writing about the recency illusion).

To which Mike Pope, a technical writer and editor currently at Google, responded on Facebook with a comparison to his 2022 book Crash Blossoms, Eggcorns, Mondegreens & Mountweazels: 101 Terms About Language That You Didn’t Know You Needed.

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In the can

May 30, 2024

Today’s Wayno / Piraro Bizarro takes us to the world of talking tennis balls, where one of them commits a bathroom pun on the noun can ‘cylindrical metal container’:


(#1) Cylindrical metal containers are highly salient to tennis balls, because such cans are how they’re sold (if you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are only 2 in this strip — see this Page)

Meanwhile, Wayno’s title for #1 — “Today’s Ballsy Cartoon” — offers a different pun, on (tennis) balls, a mildly raunchy one: ballsy ‘tough, courageous”, a derivative in –y (tricky < trick, mushy < mush, etc.) from crude slang balls ‘testicles’. And my title for this posting (“In the can”) offers another pun on cylindrical container can; from NOAD:

phrase in the can: informal on tape or film and ready to be broadcast or released: all went well, the film was in the can.

Now for some details.

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Q: What’s woolly, engorged, and good at scaffolding?

May 29, 2024

for the antepenultimate day of May …

A: The Mammoth Erection company, providing scaffolding design and erection services, based in the northern Toronto suburb of Aurora ON.  A genuine company that’s been around for several decades but was only this afternoon brought to my attention (on Facebook). My delighted attention, given that I’m a serious fan of both mammoths (of the woolly sort) and erections (of the penile sort).

One of the company’s enormous trucks, for transporting piles of scaffolding material:


(#1) The company name embraces a pun on the adjective mammoth ‘huge’, as you can see from the company logo in close-up:

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Design for sales

May 29, 2024

(Portraits of men in lust — ads for gay porn that focuses on raw man-on-man sex — discussed in plain language, so entirely unsuitable for kids or the sexually modest.)

Suppose you’ve been asked to work with a crew of gay porn staff — including a director, photographer, and a pair of actors who will couple in the company’s latest porn video — on designing a p.r. still that advertises that video (these ads are almost all carefully posed, rather than captured from live action on-screen). What are your design specs for the spot (understanding that not all of the specs can be satisfied at once)? What do you want it to be like?

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Steven Dashiell

May 28, 2024

From e-mail on 5/5 from interdisciplinary sociologist Steven Dashiell, who pursues research on discourse in male-dominated subcultures (looking at military men, gamers, barbershop patrons, gay men, and more) and has built on a posting of mine on the trope of the pizza boy in gay pornography in a recent essay of his own:

I love your blog.  I was introduced to the study of language in my doctoral program [at the University of Maryland Baltimore County], and I grew from a “social inequality sociologist” to a “sociologist of language who studies male-dominated spaces to understand inequality”.  It’s been a wild ride, because the study of language goes in so many different directions.  I’m glad to have some mentors who help me …

It’s a good day when admirable people like SD write me to tell me they love my blog — in this case, SD likes it because it’s linguistics linguistics linguistics and because it’s gay gay gay, and both of these things are important to SD. But now I’ve had some time to get acquainted with SD’s life history (that being one of my things) and the way he arranges his life now (that being another one of my things), and I can do a lightning survey of this landscape, to make a few general points. One of these being the extraordinary variety of homomasculinities.

Four cases: my own complex story, presented at great length in postings on this blog; Richard Vytniorgu’s story (one significant theme of which is his being a bottom, fem, and submissive — plus British and academic-literary); Troy Anderson’s story (whose life themes include his being a guy guy, a gigantic jock bear into leather, a corporate executive, and a Native American), and now Steven Dashiell’s story (another jock bear (not into leather), an academic, and Black). And this just scratches the surface; I’ve told other even more disparate stories.  Take these stories to heart if you’re inclined to spout generalizations about what gay men are like (or worse, about what men are like).

But now to SD.

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Hunkawaii moments in great art

May 27, 2024

From Japanese-born New York artist Naruki Kukita, an art-world three-way: hunky men (some from gay porn) displaying their bodies collide with kawaii-cute manga figures to pose in canonical settings of Western high art (especially on mythological and religious themes). I came across this fine example of Kukitart on Pinterest yesterday:


(#1) John the Baptist (2023), amidst the Disneyoid creatures of the forest

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In a frenzy

May 27, 2024

In begins with (the wildly hyperbolic) jockstrap frenzy (in an ad featuring notable male buttocks), followed by some playfulness that treats jockstrap frenzy as a laughable absurdity, turns to raw, terrifying frenzy, then the specialized zones of murder frenzy / frenzy murder and feeding frenzy, concluding with the ecstatic state of sexual frenzy (in a section not suitable for kids or the sexually modest; I’ll issue a warning when we get to the really raunchy stuff — though from the outset this posting is suffused with sexual matters not to the taste of some of my readers).

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Extremely famous in a very small world

May 27, 2024

In my Friday (5/24) appointment with my rheumatologist, David Fischer, the doctor reported that he had found me cited as a distinguished linguist, in writing by a lexicographer whose name he couldn’t quite recall, except that it had a K in it. (It’s always a good thing when your doctors treat you as a knowledgeable person of consequence.) I allowed that I hung out with lexicographers and that I was in fact extremely famous in a very small world. We then had to press on to my arthritic gout and its treatment, in the brief time for the appointment, but afterwards I e-mailed him with two suggestions about the identity of the lexicographer:

most likely: Kory Stamper, author of Word by Word: The Secret Life of Dictionaries (2017), though I didn’t recall her having cited me

also possible: Arika Okrent, author of In the Land of Invented Languages: Esperanto Rock Stars, Klingon Poets, Loglan Lovers and the Mad Dreamers Who Tried to Build a Perfect Language (2009), who certainly did cite me

The answer is: KS, in Word by Word. On page 196:

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Further adventures in Arnoldia

May 26, 2024

From my 10/7/15 posting “Adventures in Arnoldia”, on Arnold as a name:

Wikipedia also has a list about Arnold as a given name. Real people [a list that, of course, doesn’t include me]: Arnold Stang [the actor], Arnold Palmer [the golfer], Arnold Scharzenegger [the bodybuilder and politician]. [add: Arnold Bennett the novelist, Arnold Schoenberg the composer, and Arnold Toynbee the historian] And fictional Arnolds: Arnold Rimmer (a hologram character in Red Dwarf), Arnold Ziffel (Fred Ziffel’s pig on Green Acres), Arnold Zeck (the villainous character in the Nero Wolfe books). Imagine them together as the Three Arnolds — a singing group, or a comedy team, or a gang, or whatever. Arnold Stang, Palmer, and Schwarzenegger, together for your listening enjoyment. Arnold Rimmer, Ziffel, and Zeck, the dreaded Enforcers for the Mob.

And now Arnold Peck the Human Wreck:


(#1) The fictional Arnold Peck, as drawn by Willy Murphy

On the cartoonist, from Wikipedia:

Willy Murphy (October 2, 1936 – March 2, 1976) was an American underground cartoonist. Murphy’s humor focused on hippies and the counterculture. His signature character was Arnold Peck the Human Wreck, “a mid-30s beanpole with wry observations about his own life and the community around him.”

… Murphy’s work was of the “bigfoot” style of cartooning, with characters having long, droopy noses; and was characterized by strong, humorous writing.

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