From a while back, this cartoon on the subject of transitory art:

It came from Aric Olnes, following up on a Calvin and Hobbes cartoon about transitory art, specifically Calvin on the aesthetics of melting snow art.
From a while back, this cartoon on the subject of transitory art:

It came from Aric Olnes, following up on a Calvin and Hobbes cartoon about transitory art, specifically Calvin on the aesthetics of melting snow art.
Posted in Art, Linguistics in the comics | Leave a Comment »
Yesterday’s Rhymes With Orange:
Naming up is hard to do.
On the next try, they streamlined the name and got the prosody right.
Posted in Linguistics in the comics, Names | Leave a Comment »
Yesterday’s Get Frazzy:
Hat tip from Alon Lischinsky, who found that the main pun, in the final panel, really worked only in writing: for him, “Ishmael can only be /ˈɪʃ.meɪ.əl/ or /ˈɪʃ.meɪl/, while fishmeal has /iː/ and secondary stress on the last syllable”. For me, too, but I am also a fan of distant imperfect puns, which can be set up through context.
Posted in Linguistics in the comics, Puns | 3 Comments »
Today’s Calvin and Hobbes, in which Calvin embarks on writing a book:
Extended discussion (with examples) of two types of fiction/biography crosses in “Memory and fictobiography” of 6/26/10:
(auto)biographical fiction, fiction with an (auto)biographical cast: biofiction for short
fictionalized (auto)biography, (auto)biography with a fictional cast: fictobiography for short
Calvin’s project is fictobiography, heavy on the ficto-.
Posted in Linguistics in the comics, Writing | Leave a Comment »
Passed on via Chris Waigl, this New Yorker cartoon by Leo Cullum:
But still a pointed metaphor.
(I’m assembling a Page for Leo Cullum cartoons. Stay tuned.)
Posted in Linguistics in the comics, Metaphor | Leave a Comment »
(This posting has a fair amount of linguistic content, but also pretty much gay sexual content, in sometimes very plain language, plus an image at the edge of X-rated. If such material is offensive to you, or merely unwelcome, please pass on this posting.)
It starts with a bit of language play, turing on an ambiguity in the verb come: between the motion verb (as in Santa Claus came to our house on Wednesday night) and the orgasm verb (as in He came like a fountain).
Posted in Ambiguity, Double entendre, Gender and sexuality, Holidays, Language of sex, Porn | Leave a Comment »
Ann Burlingham writes from Canada to report two non-standard verb forms she found there:
And she asked: are Canadians regularizing verbs faster than USAns?
Well no, but she’s noticing the verb forms more when she’s away from home (western New York state): a version of the Local Color Illusion.
Posted in Illusions, Inflection, Morphology | Leave a Comment »
A crop of three comics for today, on three very different topics: a One Big Happy with an inventive reinterpretation of an expression; a Zits on the evolution of writing systems; and a Zippy with another Xmas parody:
One by one:
Posted in Errors, Gender and sexuality, Holidays, Language and art, Language and the body, Linguistics in the comics, Parodies, Writing systems | Leave a Comment »
I’m suffering with one at the moment. And for (almost) everything, there’s a cartoon, in this case a Perk at Work strip by Jason Salas:
From OED3 (November 2010) on crick:
Sudden stiffness or immobility of the neck, back, or other part of the body, typically resulting from spasm of one or more muscles; an instance of this. [attested from the 15th century on]
The cartoon shows the characteristic immobility of someone with a serious crick: their neck is “frozen” in one position — in this case, hooked to one side. (In other cases, the neck is frozen in such a way that the sufferer appears to be looking upwards.)
Posted in Language and the body, Linguistics in the comics | Leave a Comment »
Following on my Messiah posting, Robert Coren points us to the Xmas day Frazz:
Ouch: course – chorus. A cute imperfect pun.
Posted in Linguistics in the comics, Puns | 1 Comment »
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