Penguin Claus

A bold proposal in Slate magazine on 12/10/13 by Aisha Harris, “Santa Claus Should Not Be a White Man Anymore: It’s time to give St. Nick his long overdue makeover”. No, she’s not proposing that Santa should be a black man; she’s saying Santa should be a black and white … penguin.


(#1) Mark Alan Stamaty’s vision of Penguin Claus

(Hat tip to Vadim Temkin.)

Harris sets up the program:

When I was a kid, I knew two different Santa Clauses. The first had a fat belly, rosy cheeks, a long white beard, and skin as pink as bubble gum. He was omnipresent, visiting my pre-school and the local mall, visible in all of my favorite Christmas specials.

Then there was the Santa in my family’s household, in the form of ornaments, cards, and holiday figurines. A near-carbon copy of the first one — big belly, rosy cheeks, long white beard: check, check, check. But his skin was as dark as mine.

Seeing two different Santas was bewildering. Eventually I asked my father what Santa really looked like. Was he brown, like us? Or was he really a white guy?

My father replied that Santa was every color. Whatever house he visited, jolly old St. Nicholas magically turned into the likeness of the family that lived there.

In hindsight, I see this explanation as the great Hollywood spec script it really is. (Just picture the past-their-prime actors who could share the role. Robert De Niro! Eddie Murphy! Jackie Chan! I smell a camp classic.) But at the time, I didn’t buy it. I remember feeling slightly ashamed that our black Santa wasn’t the “real thing.” Because when you’re a kid and you’re inundated with the imagery of a pale seasonal visitor — and you notice that even some black families decorate their houses with white Santas — you’re likely to accept the consensus view, despite your parents’ noble intentions.

Harris is way too nice. From my 12/26/16 posting “Chocolate Santa, and more”, about a black Santa in the Ninth Ward of New Orleans (which is heavily black) and one at the Mall of America, outside of Minneapolis (which is very heavily white), this extract:

As reported in Black Voice News on the 22nd, in “Despite the Haters,  Black Santa Thrives at Mall of America”:

“I don’t understand why Santa would be Black. He is a White character,” social media commentator Chris Guy wrote. “Just seems kind of racist to make him Black for the sake of having a Black Santa. I don’t really care, but in our racially sensitive society, I don’t see how this is considered okay,” said Guy

That is, it’s not just that Santa shouldn’t be black because most people aren’t black, it’s just wrong for Santa to be black.

Harris, after her reflections on Santas and race in her childhood:

Two decades later, America is less and less white, but a melanin-deficient Santa remains the default in commercials, mall casting calls, and movies. Isn’t it time that our image of Santa better serve all the children he delights each Christmas?

Yes, it is. And so I propose that America abandon Santa-as-fat-old-white-man and create a new symbol of Christmas cheer. From here on out, Santa Claus should be a penguin.

That’s right: a penguin.

Why, you ask? For one thing, making Santa Claus an animal rather than an old white male could spare millions of nonwhite kids the insecurity and shame that I remember from childhood. Whether you celebrate the holiday or not, Santa is one of the first iconic figures foisted upon you: He exists as an incredibly powerful image in the imaginations of children across the country (and beyond, of course). That this genial, jolly man can only be seen as white — and consequently, that a Santa of any other hue is merely a  “joke” or a chance to trudge out racist stereotypes — helps perpetuate the whole “white-as-default” notion endemic to American culture (and, of course, not just American culture).

Plus, people love penguins. There are blogs dedicated entirely to their cuteness. They’re boxoffice gold. Most importantly, they’re never scary (in contrast to, say, polar bears and reindeer). Most kids love Santa — because he brings them presents. But human Santa can be terrifying — or at least unsettling.

And, with a penguin Santa, much Christmas folklore can remain unchanged. Being a penguin, Santa Claus can still reside in a snowy homeland — though for scientific accuracy we’ll need to move him from the North Pole to the South. He can still rock a fake white beard and red suit if he chooses. Since penguins can’t fly, Rudolph and his fellow reindeer will remain a crucial element to getting the job done on Christmas Eve. You may have even spotted a penguin here and there already among the holiday books and Christmas kitsch.

Will kids have a harder time believing in Santa the Penguin — aka Penguin Claus — than in the fat white guy he’s replacing? I don’t think so. Kids are used to walking, talking bears and gigantic friendly birds. A penguin delivering gifts might even seem more feasible to them, since cartoons have primed them to consider such creatures fairly run of the mill.

Of course, since we created Santa, we can certainly change him however we’d like — and we have, many times over. Like the holiday itself, Santa has long since been extracted from his religious roots, even if the name St. Nicholas still gets thrown around. Our current design takes inspiration from multiple sources, including Washington Irving’s 1809 description of St. Nick “riding jollily among the tree tops, or over the roofs of the houses, now and then drawing forth magnificent presents from his breeches pockets, and dropping them down the chimnies of his favourites.” When Clement Clarke Moore published “A Visit from St. Nicholas” in 1823, the old man was described and illustrated as a “plump” but elfin figure. Since then, Santa has been redesigned and re-appropriated to push everything from soda to war.

So let’s ditch Santa the old white man altogether, and embrace Penguin Claus — who will join the Easter Bunny in the pantheon of friendly, secular visitors from the animal kingdom who come to us as the representatives of ostensibly religious holidays. It’s time to hand over the reins to those deer and let the universally beloved waddling bird warm the hearts of children everywhere, regardless of the color of their skin.

As a supporter of racial equality and also a penguin enthusiast, I applaud the proposal. But there are difficulties, one of which you can see in Stamaty’s Penguin Claus in #1: his face is black (so Penguin Claus is a black guy). As are the faces of most of the actual penguins we see in photos and films — for example, these four:


(#2) King penguins


(#3) Emperor penguins


(#4) Gentoo penguins


(#5) Adélie penguins

Perhaps Penguin Claus could be a chinstrap, a species of penguin we tend to view as having a white face with a black strap and black hat:


(#5) Chinstrap penguins

With the Easter Bunny, there’s no such issue: your classic Easter Bunny is all white, all over:


(#6) An Easter Bunny

Apparently, just as almost anything can be sexualized, almost anything can be racialized.

Mark Stamaty. A few notes on the cartoonist of #1. From Wikipedia:

Mark Alan Stamaty [born 1947] is an American cartoonist and children’s writer and illustrator. During the 1980s and 1990s, Stamaty’s work appeared regularly in the Village Voice. He is the creator of the long-running comic strip Washingtoon, as well as the earlier comic strip MacDoodle Street, and the online strip Doodlennium for Slate magazine. He is also a spot illustrator for Slate. He produced a monthly comic strip in the New York Times Book Review called “Boox” in 2001–2004 that made fun of publishing trends.

Stamaty has published several books, including collections of his strips and graphic novels for children, notably Alia’s Mission: Saving the Books of Iraq (2004) and the cult classic Who Needs Donuts? (originally published in 1973 and reprinted by Random House in 2003).


(#7) The cover of Who Needs Donuts?, showing Stamaty’s characteristic style of drawing — densely crowded and detailed


(#8) The cover of Stamaty’s children’s book Where’s My Hippopotamus?, showing the occasional sparer style also seen in #1 and his political cartoons

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