Female archetypes in the movies

The first, summary, paragraph of the abstract for a Qualifying Paper in the Stanford Ph.D. program — by Sunwoo Jeong — on “Iconicity in Suprasegmental Variables:
The Case of Archetypal Hollywood Characters of the 1940s-50s”:

Films are potent vehicles that not only reflect common linguistic practices, but also create new social meanings for linguistic variables and actively shape dominant language ideologies of the era. This was especially the case for films made during the Golden Age of Hollywood in which several distinctive film genres, featuring highly stylized female characters, emerged as important cultural phenomena: femme fatales in film noir, independent brunettes in screwball comedies, and dumb blondes in musical comedies. This paper argues that systematic variation in suprasegmental linguistic cues like pitch, prosody, and voice quality was employed by the actresses to index the three prominent archetypes mentioned above, and more importantly, that the realizations of these variables were not arbitrary in that they created an iconic tie with the archetype that they indexed. Combined with other cinematic devices that fortified this iconic relation, the underlying ideologies behind these linguistic variables were more easily naturalized, resulting in wider dissemination.

(I’m way behind in posting on Neat Stuff by Stanford Students, but this one came in this morning and I thought I’d seize it before it fell into the To Do pit.)

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