Archive for the ‘Puns’ Category

Santa Paronomasia

December 25, 2018

Santa Paronomasia, the patron saint of punning, whose most recent appearance in these precincts was on the 22nd, in a posting about the Christmas shark movie — groan — Santa Jaws. Time for a round of Santa Claus puns.

(Some sexual joking.)

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Wok it to the golden Lab for analysis, har-de-har-har

December 3, 2018

3 x 3: three cartoons of linguistic interest for the 3rd of December: a Dave Blazek Loose Parts with merged phonemes; a Wayno/Piraro Bizarro with an ambiguity; and a Zits with an onomatopoeia.

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A seasonal groaner

December 1, 2018

A terrible Xmas pun committed by Scott Hilburn in a 12/23/13 cartoon (hat tip to Mike Reaser):

(No ‘L’ – Noel)

I figure this is fair game, since tomorrow is the first Sunday in Advent, putting us into the religious Christmas season broadly understood. (Then Wednesday is Krampusnacht, and Thursday is St. Nicholas Day).

Arousing the beast

November 7, 2018

In today’s comics feed, a One Big Happy that requires a double dose of pop-cultural moon knowledge to understand:

(#1)

A defiant gesture, a bit of lycanthropic folklore.

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News for French penises

October 6, 2018

Passed on by friends on Facebook, a French dildo / vibrator in the shape of La Tour Eiffel:

(#1)

Yes, you can pleasure yourself (vaginally or anally) with a replica of this world-famous landmark. While enjoying its punning name (La Tour Est Folle lit. ‘The Tower is Crazy’, but see below — with the pun pairing Eiffel – est folle).

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The autumnal Humpty Dumpty

October 5, 2018

Currently viral on the net, this punning Humpty Dumpty cartoon:

(#1)

The noun fall ‘act of falling or collapsing’ vs. (North American) ‘autumn’, with a corresponding accompanying ambiguity in the adjective great: ‘very large’ vs. ‘of considerably high quality’.

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Imperfect rhyme, part 2

October 1, 2018

First installment: my 9/30 posting “AZ on imperfect rhyme”, an inventory of publications of mine on half-rhyme and phonological similarity. Today, the second installment, an inventory of postings on this blog that discuss particular examples of half-rhyme. To come: an inventory of publications that cite the 5 papers of mine on imperfect rhyme, especially the first, the 1976 rock rhyme paper.

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Mike Lynch

September 27, 2018

A cartoonist and cartoon enthusiast who hasn’t appeared on this blog before.

The barest of brief Wikipedia information:

Mike Lynch [born January 18, 1962, in Iowa City IA] is a cartoonist whose work can be seen in Reader’s Digest, The Wall Street Journal, Playboy and other mass media markets.

Lynch maintains a substantial blog on cartoons, with material of his own and compilations of other cartoonists.  For example, a 9/24 posting on gag cartoons, from Dick Buchanan; a 9/21 posting on women cartoonists of the New Yorker, from Liza Donnelly; a 9/20 posting on cartoonists drawing on the wall at the Overlook Lounge in NYC.

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Ruthie faces literal ambiguity

August 28, 2018

In the 7/30 strip, on the ambiguity of the word letter; in the 7/31 strip, a play on the name of the letter Y:

(#1)

(#2)

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But is it a cartoon?

August 25, 2018

From the Pun Based Humor Facebook page (ultimate source not identified):

(#1)

A photograph (composed and posed for humorous effect), but if you drew this scene, it would straightforwardly be a (captionless) cartoon, so why shouldn’t  this count as a cartoon too? Not your prototypical cartoon, but a cartoon nevertheless.

An analogy would be to the art work of Pierre et Gilles: photographs elaborately composed and posed for artistic effect (often humorous effect as well), and meant as a photographic equivalent of a fantasy painting or drawing.

Meanwhile, there’s the matter of cartoon understanding: the young man, the box of breakfast cereal (Kix brand), and the highway route sign (for US Route 66) are the three elements focused on in the photograph, but what’s funny about that? Is it relevant that the route is historic, or that it’s a loop, or that the young man’s belt end is dangling (something to do with loops, maybe)? Or maybe stuff in the background is subtly significant. Or the setting, on a town street, at an intersection with a crosswalk.

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