Today’s Rhymes With Orange:
Instant food: just mix. And mix-n-match. But the linguistic point is mix media (for the expected mixed media) — an instance of lexicalized t/d deletion.
No, not that Alamo, the Alamo Court Motel in Ocean City MD:
Meanwhile, Griffy confronts the paranoid conspiracist Claude (who serves as the loony foil to Bill Griffith’s voice of reason).
(Warning: some material about gay sex in plain language.)
On AZBlogX, a posting about a “cast album” for the gay porn flick Crave. Here, some reflections about this (conventionalized) visual format, an analogue to to conventionalized formats for linguistic material, variously referred to as “styles”, “registers”, “routines”, or “genres” (the terminological issues are vexed indeed) — choices of linguistic features that come together in packages, for use in specific contexts for specific purposes.
While I was sleeping, the tally of spam comments reported by Akismet for this blog passed two million; at the moment, it seems to be 2,000,736. Obvious trash is filtered out automatically, without my even seeing it. But every day there are requests from Akismet for me to moderate comments, most of which I’d characterize as non-obvious trash, some of them fairly clever attempts to get me (and my readers) to link to a url that usually turns out to be a commercial site of one sort or another. Recently, many of these come from sites in Germany, I don’t know why.
Some of them are content-free congratulations on the marvels of my site. I have to look at congratulatory comments fairly carefully when they come from people I don’t recognize: a few of them mention specific content from one of my postings and have no commercial link, so they get a pass.
Others masquerade as requests for technical help of some kind.
And then there are the “advice” comments, designed to get a rise out of me: they report that there are a lot of misspellings (not specified) in my postings; or complain about some posting that I provided only “visuals” (images), when I should have posted more text; or complain about some posting that I provided only text, when “visuals” were necessary. Sigh.
My understanding is that fap as onomatopoeia comes from [the webcomic Sexy Losers]
I do not know when the second p started to appear.
There seems to be some agreement that Sexy Losers at least popularized the sexual verb, whether or not it originated it — and that takes it back to 1999. Also in 1999 in Sexy Losers, the feminine counterpart, shlick (Urban Dictionary in 2004: “The onomatopoeic representation of female masturbation”).
Two examples, with the strips reduced to the final panel, and genitals cropped:
SL #158 “War Games” 10/13/02, in which guys find that long sessions of gaming can improve their ejaculation distance:
SL #166 “Psychology Games” 12/24/02, with both terms:
Following up on my posting on the verb fap(p) ‘to masturbate furiously’, Robert Coren thought he recalled Fap! as “an exclamation of annoyance commonly used by a character in some ancient comic strip — I think maybe Major Hoople”. Yes, indeed, Aric Olnes replied, Major Hoople, and supplied this strip:
(Chris Ambidge added that “FAP is one of my favourite words to use when annoyed or frustrated.”)
Some time ago on ADS-L one of the list members wrote to ask about the verb fapp, which he’d seen in print but couldn’t interpret in context. The answer, from Urban Dictionary:
fapp ‘to masturbate furiously’
where it was said to be onomatopoetic in origin — from the “fap” noise generated by this activity (for males). And there’s fappening (cf. happening), fapping in a group.
New to me, but apparently reasonably well established in some circles. A visual (no body parts):
(Notice the finite clause as an object of the preposition about. Non-standard, but P + Clause is very common indeed.)
It’s not clear to me whether fappening is (in its origins) a portmanteau using the verb fapp, or whether fapp is a back-formation from a jokey fappening.
[Later note: a number of Facebook commenters say that they spell the verb FAP rather than FAPP.]
In television commercials that recently came past me: yummify (and more) in a 5-hour ENERGY commercial; and waffulicious in an IHOP commercial.
(Not really about language. Warning: the image, involving a statue with prominent male genitals, might be offensive to some.)
Bulletin from Vancouver BC, “Raunch Devil Statue Suddenly Erected Outside SkyTrain” by Lindsay William-Ross:
A large red devil statue with a very prominent feature has shown up outside a Vancouver SkyTrain station.
The statue stands about eight to nine feet tall, and was set on a pedestal near the VCC/Clark Drive SkyTrain station in Grandview-Woodland. The statue is at Clark and Grandview Highway.
Commuters have definitely taken notice, not only because of the statue’s size, but because the male figure is depicted with a large erect penis.
An artistic statement, but about what? Why a red devil?
The statue was quickly removed by city crews.
[Added a bit later: Tim Evanson suggests on Google+ that the statue is of Hellboy. From Wikipedia:
Hellboy is a fictional character, a superhero created by writer-artist Mike Mignola. The character first appeared in San Diego Comic-Con Comics #2 (Aug. 1993), and has since appeared in various eponymous miniseries, one-shots and intercompany crossovers. The character has been adapted into two live-action feature films in 2004 and 2008 that starred Ron Perlman in the title role, and two straight-to-DVD animated films, as well as two video games – Asylum Seeker and The Science of Evil.
A well-meaning demon whose true name is Anung Un Rama (“and upon his brow is set a crown of flame”), Hellboy was summoned from Hell to Earth as an infant demon on December 23, 1944 … by Nazi occultists (spawning his hatred for them). He was discovered by the Allied Forces; amongst them, Professor Trevor Bruttenholm, who formed the United States Bureau for Paranormal Research and Defense (BPRD). In time Hellboy grew to be a large, red-skinned man with a tail, horns (which he files off, leaving behind the signature circular stumps on his forehead), cloven hooves for feet, and an oversized right hand made of stone. He has been described as smelling of dry-roasted peanuts. Although a bit gruff, he shows none of the malevolence thought to be intrinsic to demons, and has a strong sense of humor.
(with unfiled horns)).